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Wole Soyinka offers a wide-ranging inquiry into Africa's culture, religion, history, imagination and identity. He seeks to understand how the continent's history is entwined with the histories of others, while exploring Africa's truest assets.
- Sales Rank: #639217 in Books
- Published on: 2013-11-12
- Original language: English
- Number of items: 1
- Dimensions: 7.72" h x .61" w x 6.01" l, .59 pounds
- Binding: Paperback
- 224 pages
From Booklist
In this essay collection, Nigerian writer Soyinka, the first African to receive the Nobel Prize in Literature, examines the meaning of Africa as a concept and a category, an enigma and an imperative. His goal, however, is less to define Africa than to reject those who would limit it through externally imposed categories; he seeks instead to retrieve a few grains for germination from the wasteful threshing floor of Africa’s existential totality. His essays thus query how Africa’s history continues to impose limitations on its present: probing, for example, the continued consequences of artificial national boundaries imposed by Europeans centuries ago, or the legacy of European failed efforts to will ideas about what Africa is, or what Africa could be, into reality. Soyinka does not deceive himself about the profound problems that Africa faces today. But the overall tenor of this selection is optimistic, emphasizing Africa’s capacity to inspire authentic spirituality (the continent, he reminds us, is filled with religions that point the way to the harmonization of faiths) and resilient, life-embracing humanity. --Brendan Driscoll
Review
"An intellectually robust, book-length essay that attempts to unravel the paradoxes and contradictions plaguing Nigeria and, by extension, Africa./i>
--George Ayittey"Wall Street Journal" (11/03/2012)
From the Author
Praise for Wole Soyinka
“[Soyinka is] a master of language and [is committed] as a dramatist and writer of poetry and prose to problems of general and deep significance for man.”—Lars Gyllensten, from his presentation speech awarding Wole Soyinka the Nobel Prize in Literature, 1986
“A brilliant imagist who uses poetry and drama to convey his inquisitiveness, frustration, and sense of wonder.”—Newsweek
“If the spirit of African democracy has a voice and a face, they belong to Wole Soyinka.”—Henry Louis Gates, Jr., New York Times
Praise for the works of Wole Soyinka
Aké: The Years of Childhood
“A classic of African autobiography, indeed a classic of childhood memoirs wherever and whenever produced.”—New York Times Book Review
You Must Set Forth At Dawn: A Memoir
“By turns panoramic and intimate, ruminative and politically resolute, Soyinka's memoir is a dense but intriguing conversation between a writer and his times.”—Publishers Weekly, starred review
Collected Plays
"Soyinka . . . has established himself as one of the most compelling literary voices in black Africa."— New York Times
The Open Sore of a Continent: A Personal Narrative of the Nigerian Crisis
"Soyinka's political writings have always combined polemical force with expository grace, and his stinging characterization of Nigeria as a failed state is no exception."—Foreign Affairs
Most helpful customer reviews
11 of 12 people found the following review helpful.
Nobel class book by a Nobel author
By M. Hatfield
Soyinka's book "Africa" is really a lucid book on the essence of "The Truth" that uses a bit African History as a vehicle of expression. His smooth as silk use of the English language makes it worth reading the book just to enjoy his superb ability to write.
This book is a testament to the fact that Wole Soyinka is indeed a Nobel Prize class author. Before one reads this outstanding book, I suggest logging on to Cspan Book TV and listening to Soyinka's in person review of this book. Soyinka has an exceptional intellect and a quick wit to match it which not only exposes many facets of the truth but is entertaining as well. It is also fascinating to read his background on Wikipedia as it reads like a good novel but is in fact reality. Soyinka has walked through the "valley of the shadow of death" so to speak being thrown in jail for a couple years and escaping with his life on a motorbike though the desert in the shadow of mass genocide. Depots like Gowon and Mugabe are so afraid of Soyinka's acerbic prose that they denounced and jailed him. Wole Soyinka is lucky to be alive because he dares to speak his truth. There is no greater weapon against secular despots, radical theology, and a myopic view of "The Truth" than a writer such as Soyinka who reveals many facets of the truth in every line he writes without defining a real truth but rather exposing my truth, your truth, his truth and the fallibility and intellectual beauty of those many facets that should be continually revisited, restudied and refreshed as we grow in the never ending search for "The Truth" and perhaps a little more human understanding and equity in the world. Soyinka is a freedom fighter who carries the most deadly weapon of all "a search for the truth".
8 of 9 people found the following review helpful.
What African culture has to offer the world
By John Gibbs
In addition to its inert possessions such as mineral resources, touristic landscapes and cheap labour, Africa has dynamic possessions, ways of perceiving, responding, adapting or simply doing, including structures of human relationships, according to Wole Soyinka in this book. These lesser-known dynamic attributes could help resolve some of the social problems experienced by communities in other parts of the world.
The first half of the book discusses how Africa's past has affected its present; the second half discusses African spirituality and what it has to offer the world. After reviewing the perceptions of Africa recorded by European writers over the centuries, the author discusses the legacy of slavery and the slave trade - including the crimes committed by Africans against fellow Africans - and the legacies of colonialism.
The actions of the past, in which Africans were treated as disposable commodities, are compared with modern crimes against humanity such as the situation in Darfur, where Africans are still treated as disposable commodities. African dictators have inherited the mantles of the slave traders and the colonialists. Colonialism gets lingering blame for arbitrary country borders leading to inter-ethnic conflicts, although it seems that inter-ethnic conflicts must have more causes than colonial borders.
Islam and Christianity are both rejected by the author as religions which seek hegemony; instead, the author advocates indigenous African religions and in particular the Orisa religion of his own Yoruba tribe. Whereas Islam and Christianity bring conflict and intolerance, Orisa, and by implication other indigenous religions, bring peaceful co-existence. The author advocates traditional healing methods and incantations as "untapped resources".
While there is undoubtedly much that the rest of the world can learn from the cultures of the various African peoples, it seems to me unlikely that indigenous African religions will provide the answers that people are looking for. People adopt religions because they believe them to be true, not because they believe them to be convenient or useful. Although I disagree with much of what the author says, the book is written in a lyrical and cultivated style, clearly reflecting why the author has won a Nobel Prize for literature.
3 of 3 people found the following review helpful.
Classic Literary Soyinka.
By Chris Emeka
In this book, it is encouraging to read Soyinka furthering the rehabilitation of the image of Africa and Africans in the world view as Achebe had done in the 70s in debunking John Conrad's portrayal of Africans as "less than" in his book 'Heart of Darkness'. Here, with the benefit of current "hindsight" Soyinka revisits the troubling view of Africa in the context of the world: a descendant of Africa is the leader of the free world; South Africa has excised the uncivil apartheid regime and "normalized" herself smoothly, emphatic thanks to Nelson Mandela and his team of dedicated, intelligent, honest, diplomatic and talented leaders (formerly persecuted and imprisoned comrades -mostly black) - just to cite a few. Yet, Africa (implicitly Black Africa) continues to receive sneers and turned-up noses. Paradoxically, pride in African heritage is on the increase across the continents.
Soyinka puts Africa in the context of the rest of the world - comparing crises, human behaviours as well as the challenges of governments. He makes the point (implicitly) that Africa is entitled to its challenges just as all others without any unnecessary need for apologies. He leans on the autonomous countries of Africa to tighten up their stride as well.
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