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With the creation of the dramatic Supper at Emmaus (Louvre) and a series of intimate oil sketches of Christ on oak panels, Rembrandt van Rijn (1606-1669) overturned the entire history of Christian art. Traditionally, when depicting Christ, artists had relied on rigidly copied prototypes and icons. Among Rembrandt's innovations was his use of a Jewish model to portray a Christ imbued with empathy, gentleness, grace, and faithfulness to nature.
Lavishly illustrated, this captivating and important book presents the seven known panels, along with more than 60 paintings, drawings, and prints by Rembrandt and his pupils. Essays by expert contributors offer insights into the production of the panels and their relationship to other works in Rembrandt's oeuvre; how he changed the meaning and status of the canonical image of Christ in northern European art; and much more. Rembrandt and the Face of Jesus is a marvelously intriguing study of how one of the greatest painters of the Dutch Golden Age revolutionized an aspect of art history dating to antiquity.
- Sales Rank: #1341768 in Books
- Published on: 2011-07-18
- Original language: English
- Number of items: 1
- Dimensions: 12.29" h x 1.05" w x 10.40" l, 4.34 pounds
- Binding: Hardcover
- 256 pages
Review
“The show skirts the thornier issue of Rembrandt’s relationship to Jews in general. On that subject the catalog has more to offer.” —The New York Times (The New York Times)
“Scholarly and captivating catalog.”—The Big Think Reviews (The Big Think Reviews)
"[A]n engaging scholarly text . . . From this study, Rembrandt emerges as an ever more expert storyteller and examiner of humanity."—A Golahny, Choice (A Golahny Choice)
About the Author
Lloyd DeWitt is Associate Curator in the Department of European Painting before 1900 at the Philadelphia Museum of Art. Blaise Ducos is Curator in the Département des Peintures at the Musée du Louvre, Paris. Franziska Gottwald is a postdoctoral fellow at Queens University, Kingston, Ontario. George S. Keyes is Curator Emeritus of European Paintings at the Detroit Institute of Arts. Shelley Perlove is Professor of Art History at the University of Michigan, Dearborn. Larry Silver is Professor of Northern Renaissance Art at the University of Pennsylvania. Seymour Slive, a preeminant scholar of Dutch art and author of numerous books on the subject, was formerly Director of the Fogg Art Museum, Harvard University. Ken Sutherland is Conservation Scientist and Mark Tucker is Vice Chairman of Conservation, both at the Philadelphia Museum of Art.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Imagining Jesus
By William M. Burgan
"Rembrandt and the Face of Jesus" -- now showing in Philadelphia -- is one of the most memorable exhibitions I have ever seen. I do not think any other painter rivals Rembrandt's historical imagination, and the catalog is fully up to the challenge of capturing this aspect of his genius -- both informative in text and deeply rewarding in reproductions. A magnifying glass helps with some of the drawings and etchings -- not that these are indistinct or poorly printed: the magnification simply makes more clear what miraculous inventiveness and control Rembrandt brought to this task, especially in the etchings of Christ Healing the Sick and Christ Preaching. The catalog is especially helpful in its account of his revolutionary will to portray Jesus not as an idealized icon but as a believably individual Jew. To say the catalog is worthy of the exhibition is both to tell the truth and to offer the highest praise possible.
12 of 13 people found the following review helpful.
review
By Katherine A. Carroll, or Donald A Carroll
I love this book I wish the exhibit was on the west coast too. These pictures of Jesus lend one to think that Rembrandt was given a special inspired vision of what Jesus looks like. Makes me feel like I know God a little better. Great for meditation.
4 of 4 people found the following review helpful.
Excellent Catalog
By Kindle Customer
This is the catalog issued in conjunction with the excellent exhibit held at the Philadelphia Museum of Art - I used it in preparation for viewing the exhibit. The very informative essays, detailed explanation of techniques used in analyzing the works that appeared in the exhibit, and the fabulous reproductions are well worth the cost of the book.
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