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With globalization steadily reshaping the cultural landscape, scholars have long called for a full-scale reassessment of art history's largely Eurocentric framework. This collection of case studies and essays, the latest in the Clark Studies in the Visual Arts series, brings together voices from various disciplinary and theoretical backgrounds, each proposing ways to remap, decenter, and reorient what is often assumed to be a unified field. Rather than devise a one-size-fits-all strategy for what has long been a divided and disjointed terrain, these authors and artists reframe the inherent challenges of the global—most notably geographic, political, aesthetic, and linguistic differences—as productive starting points for study. As the book demonstrates, approaching art history from such alternative perspectives rewrites some of the most basic narratives, from the origins of representation to the beginnings of the “modern” to the very history of globalization and its effects.

• Sales Rank: #1311957 in Books
• Published on: 2014-02-11
• Original language: English
• Number of items: 1
• Dimensions: 9.40" h x .90" w x 7.00" l, 1.50 pounds
• Binding: Paperback
• 256 pages

About the Author
Jill H. Casid is professor of visual studies in the department of art history at the University of Wisconsin-Madison. Aruna D'Souza is the former associate director of the Research and Academic Program at the Clark, and a scholar of modern and contemporary European visual culture and feminist theory.

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Major General Orde Wingate, DSO and two bars, who had created and personally led the Chindits (commandos, from the Burmese word for a griffin) was killed in an air accident in March 1944, at the height of the second Chindit campaign. He was highly praised, especially by General Slim. But by 1956, Slim was dismissive of him in Defeat into Victory, and the Official British History in 1961 was viciously critical. What happened to change minds so completely? David Rooney examines the life and achievement of a maverick soldier who inspired loyalty and devotion in some, hostility in others. He presents facts that thoughtful, diligent research has uncovered, to leave a broader impression of Wingate's colourful career. The result is an intriguing portrait of a military mind of daring originality, deserving of a better judgement in military history.

• Sales Rank: #1634035 in Books
• Published on: 2000-06-01
• Original language: English
• Number of items: 1
• Dimensions: 7.80" h x .79" w x 5.39" l,
• Binding: Paperback
• 272 pages

About the Author
David Rooney saw war service in India and West Africa as a captain in the Queen's Royal Regiment. After the war he read history at Keble College, Oxford, and went on to a teaching career in Belfast, Germany and England, including four years as a Senior Lecturer at Sandhurst. He is a Life Member of Clare Hall, Cambridge, and continues to lecture and write. Previous titles include: Military Mavericks and Burma Victory.

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5 of 6 people found the following review helpful.
An interesting man, but is it an interesting tale?
By Megami
A biography of a fascinating man, one of the most determined and unorthodox military leaders of WWII, who to this day can inspire extreme love or loathing. While intersitng to read about, he would have been very annoying to work with.
This book covers both his upbringing and the miliary campaigns he was involved in. (I especially found the influence of religion interesting - he was instrumental in the early ideas on the founding of Israel) Fascinating topic, not so fascinatingly written - could have done with much tighter editing and explanation of many miliary terms and acronymns.
Still, i am pleased i read it to learn more about Wingate, and the interesting story about his reputation, and like T E Lawrence, how it was shaped before and after his death

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Hypnos (the Greek god of sleep) and Thanatos (death) were the twin sons of Nyx, the goddess of night (Fox, 1964). Hypnos lived in a dusky valley in the land of the Cimerians, watered by Lethe, the river of forgetfulness. He brought sleep to both men and gods, and sometimes sent his sons Morpheus, Icelus, and Phantasus to appear in dreams. At the door of his abode grew poppies and other herbs which induce sleep (Hamilton, 1961). This book deals with these herbs and their subsequent imitations. Before launching into an examination of hypnotics, it might be well to comment briefly on the manner in which this was written, and to acknowledge the help of a number of individuals. My intention was that this be useful not only for the physician or scientist, but also for the student. Thus each chapter contains an introductory section which pro­ vides background material. Chapter 3, for instance, describes the general principles of drug absorption, distribution, and metabolism before dis­ cussing the pharmacologic properties of each hypnotic. In addition, each chapter concludes with a section which summarizes the main issues.

• Sales Rank: #6782530 in Books
• Published on: 1980-03-01
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 6.50" w x .75" l, .0 pounds
• Binding: Hardcover
• 220 pages

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Poisons are topics of multidisciplinary concern. The clinician and the pathologist are sensitive to instances of human poisoning. The laboratory researcher, whether pharmacologist, physiologist, or biochemist, is oriented toward molecular modes of poison action. Both clinician and researcher are eager to learn of poisons that can be used as therapeutic agents or methodological tools. This volume is an attempt to underscore the multidisciplinary charac­ ter of neuropoisons. Six poisons of animal origin which are receiving considerable clinical and research attention are discussed. Each poison is presented first as a clinical entity, then as a topic of investigative research, and finally as an agent useful to the study of nerve function. Because no single volume on neuropoisons can be exhaustive, an attempt at balance is offered as compensation. Two snake venoms, two marine poisons, and two bacterial toxins are presented in detail. In the sequel to this volume, attention will be focused on representative neuro­ poisons of plant origin.

• Sales Rank: #14633396 in Books
• Published on: 1995-12-31
• Original language: English
• Number of items: 1
• Dimensions: .0" h x .0" w x .0" l, .0 pounds
• Binding: Hardcover
• 361 pages

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The term "alloy" as pertaining to polymers has become an increasingly popular description of composites of polymers, parti­ cularly since the publication of the first volume in this series in 1977. Polymer alloy refers to that class of macromolecular materials which, in general, consists of combinations of chemically different polymers. The polymers involved in these combinations may be hetero­ geneous (multiphase) or homogeneous (single phase). They may be linked together with covalent bonds between the component polymers (block copolymers, graft copolymers), linked topologically with no covalent bonds (interpenetrating polymer networks), or not linked at all except physically (polyblends). In addition, they may be linear (thermoplastic), crosslinked (thermosetting), crystalline, or amorphous, although the latter is more common. To the immense satisfaction - but not surprise - of the editors, there has been no decrease in the research and development of polymer alloys since the publication of the first volume, as evidenced by numerous publications, conferences and symposia. Continued advances in polymer technology caused by the design of new types of polymer alloys have also been noted. This technolog­ ical interest stems from the fact that these materials very often exhibit a synergism in properties achievable only by the formation of polymer alloys. The classic examples, of course, are the high impact plastics, which are either polyblends, block, or graft co­ polymers composed of a rubbery and a glassy polymer. Interpene­ trating polymer networks (IPN's) of such polymers also exhibit the same, or even greater, synergism.

• Sales Rank: #6428807 in Books
• Published on: 1980-08-30
• Original language: English
• Number of items: 1
• Dimensions: .0" h x .0" w x .0" l, .0 pounds
• Binding: Hardcover
• 282 pages

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^^ Download Ebook A Worldly Art: The Dutch Republic, 1585-1718, by Mariët Westermann

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Newly independent in 1585, the increasingly prosperous and politically powerful Dutch Republic experienced a tremendous rise in the production of artwork that was unparalleled in quantity, variety, and beauty. Now back in print, this classic book (originally published in 1996) examines the country’s rich artistic culture in the seventeenth century, providing a full account of Dutch artists and patrons; artistic themes and techniques; and the political and social world in which artists worked.

Distinguished art historian Mariët Westermann examines the “worldly art” of this time in the context of the unique society that produced it, analyzing artists’ choices and demonstrating how their pictures tell particular stories about the Dutch Republic, its people, and its past. More than 100 color illustrations complement this engaging discussion of an extraordinary moment in the history of art.

• Sales Rank: #164729 in Books
• Published on: 2005-03-08
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.50" w x .75" l, 1.12 pounds
• Binding: Paperback
• 192 pages

Amazon.com Review
The paintings covered in this appealing book by Mariet Westermann were intended to not only please, but to serve as a kind of visual catalog of the period. Whether the subject was interior or exterior, the paintings provide an almost photographic record that bring to life the physical surroundings of the Dutch people of the 17th century. In doing so, they provide insight into their hearts and souls as well. And Westermann proves to be a capable guide through the era.

Review
Ms. Westermann knows about all these things, and many others, and she tells the tale plainly and well. -- The New York Times Book Review, John Russell

About the Author
Mariët Westermann is director of the Institute of Fine Arts at New York University. She is the author of Rembrandt: Arts and Ideas and has contributed to many exhibition catalogues on seventeenth-century Dutch art.

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21 of 21 people found the following review helpful.
Mariët Westermann, "A Worldly Art: The Dutch Republic, 1585-1718"
By Kenneth Hughes
Mariët Westermann is a Dutch-American art historian who earned a Ph.D. from the Institute of Fine Arts at New York University with a dissertation on Jan Steen and who has gathered extensive experience as an academic researcher, curator, and arts administrator. She has also written a dossier on Vermeer for the Rijksmuseum and contributed a fine book on Rembrandt, as well as various entries in exhibition catalogues. She has presented here --despite the contorted title of the American edition (the British edition calls it what it is, "The Art of the Dutch Republic, 1585-1718")--a well articulated and straightforward introduction to its subject. There are many more lavishly illustrated and detailed books devoted to this topic, but in terms of compactness, accessibility, and balance between illustration and text, this is probably the most useful one we currently have. The temporal parameters are those traditionally set for the period, 1585 being the year that Antwerp was recaptured for the Spanish Netherlands and of the exodus of Protestant population to the North, and 1718 seeing the publication of the first volume of Arnold Houbraken's retrospective collection of biographies of the Netherlandish artists. Sandwiched between those years was the celebrated "Gouden Eeuw," the golden age of Dutch art, and all the major themes that arise in connection with the artistic world of the young Republic are touched on in summary form in this lively and quickly moving book. Her first chapter deals with making and marketing art and discusses such topics as how the restructuring of the old guild system created a hierarchy of art workers to explore and exploit new genres and techniques. (Much more extensively treated in Michael North's comprehensive "Art and Commerce in the Dutch Golden Age"--cf. my review on this website.) Chapter 2, "Texts and Images," considers the popularity of emblem books and the important subgenre of letter-writing and letter-reading in this unusually literate society and examines the ubiquitous correlation in this art between reading and viewing, which has been the subject of several recent exhibitions and their catalogues. (See my review of Peter C. Sutton, et. al., "Love Letters: Dutch Genre Paintings in the Age of Vermeer" for that and further references.) The third chapter engages the issues surrounding realism in the paintings: the distinction between drawing "naer het leven" (from life) and "uyt den gheest" (from the mind) interestingly prefigures the very similar discussions two hundred years later when the Impressionists debated the relative merits of painting "sur le motif" as opposed to back in the studio. The behest of verisimilitude in these paintings impels all kinds of veristic techniques from one-point perspective to the use of lenses and Vermeer's celebrated "camera obscura" (if he actually used one). ( At the court in Vienna, Ferdinand III was sufficiently charmed by such optical trickery as to award Samuel van Hoogstraten a medal for "deceptive still life"!) The other side of that coin, though, was the simultaneous evolution of the completely unrealistic techniques of the Mannerists. Westermann has a good chapter on the way in which paintings of all types--not only historical scenes, but also the more quiescent genre scenes and landscapes--were put in service of a developing national identity that was required to smooth over the actual conflicts of local interest that characterized the early Republic. Altogether, this is a fine introduction to the subject; it is judiciously balanced, well organized, clear in its discussions, and superbly illustrated. The library of Dutch Golden Age books is deservedly enormous, but this little book has a most useful function in that collection, as a guide or model of organization and a very handy reference.

37 of 40 people found the following review helpful.
Brilliant Book in a Brilliant Series
By James D. Ahrens
The Dutch Golden Age wasn't high on my list of favorites -- until this book came along.
This, in common with other volumes in the "Perspectives" series, offers high quality (though small) reproductions of important works, up-to-date analysis and discussion of the art and the contexts in which it was created.
It does all this while also offering two things that are rare in art books -- clear, well-written prose accessible to a lay audience, and a reasonable price. An excellent introduction to the subject, and a wonderful addition to any library.

19 of 20 people found the following review helpful.
Keep this one always
By Margie Read
This book is beautifully printed and full of not only splendid pictures, but much useful information. This is the kind of book to put on your shelf for reference over and over. And, on a gloomy day, it will be a delight to get out and look through again.

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A major retrospective catalogue on the career of minimalist sculptor and poet Carl Andre

Carl Andre (b. 1935) redefined the parameters of abstract sculpture in the 1960s and 1970s. He was a highly influential voice in the American minimalist movement, recognized for his ordered linear and grid formats. In the early 1960s, Andre’s creative focus shifted to writing poetry when he took a job as a freight brakeman and conductor for the Pennsylvania Railroad. His poems echoed and extended the themes in his sculptural work, and his experience with the railroad significantly influenced his choice of materials in later years.

In this stunning catalogue, which accompanies the first retrospective of Andre’s work since 1970, the artist’s legacy is examined in eleven essays by international scholars. The book presents a broad range of sculpture made over the past fifty years, including Andre’s emblematic floor and corner pieces, highlighting his radical use of standardized units of industrial material such as timber planks, concrete blocks, and metal plates. A vast selection of Andre’s previously unpublished concrete poems, together with letters, postcards, ephemera, and documentation of important installations, further complements our understanding of an essential figure in the history of contemporary art.

• Sales Rank: #431171 in Books
• Published on: 2014-05-27
• Original language: English
• Number of items: 1
• Dimensions: 11.75" h x 9.00" w x 1.50" l, 3.78 pounds
• Binding: Hardcover
• 400 pages

Review
“It’s impossible to read this book and not come away with a deeper understanding and admiration for Andre’s work.”—Publishers Weekly (Publishers Weekly)

About the Author

Yasmil Raymond is curator at Dia Art Foundation. Philippe Vergne is director of Dia Art Foundation.

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0 of 1 people found the following review helpful.
Four Stars
By Jose Marcano
Great Book! Excellent documentation.

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