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A Worldly Art: The Dutch Republic, 1585-1718, by Mariët Westermann
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Newly independent in 1585, the increasingly prosperous and politically powerful Dutch Republic experienced a tremendous rise in the production of artwork that was unparalleled in quantity, variety, and beauty. Now back in print, this classic book (originally published in 1996) examines the country’s rich artistic culture in the seventeenth century, providing a full account of Dutch artists and patrons; artistic themes and techniques; and the political and social world in which artists worked.
Distinguished art historian Mariët Westermann examines the “worldly art” of this time in the context of the unique society that produced it, analyzing artists’ choices and demonstrating how their pictures tell particular stories about the Dutch Republic, its people, and its past. More than 100 color illustrations complement this engaging discussion of an extraordinary moment in the history of art.
- Sales Rank: #164729 in Books
- Published on: 2005-03-08
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.50" w x .75" l, 1.12 pounds
- Binding: Paperback
- 192 pages
Amazon.com Review
The paintings covered in this appealing book by Mariet Westermann were intended to not only please, but to serve as a kind of visual catalog of the period. Whether the subject was interior or exterior, the paintings provide an almost photographic record that bring to life the physical surroundings of the Dutch people of the 17th century. In doing so, they provide insight into their hearts and souls as well. And Westermann proves to be a capable guide through the era.
Review
Ms. Westermann knows about all these things, and many others, and she tells the tale plainly and well. -- The New York Times Book Review, John Russell
About the Author
Mariët Westermann is director of the Institute of Fine Arts at New York University. She is the author of Rembrandt: Arts and Ideas and has contributed to many exhibition catalogues on seventeenth-century Dutch art.
Most helpful customer reviews
21 of 21 people found the following review helpful.
Mariët Westermann, "A Worldly Art: The Dutch Republic, 1585-1718"
By Kenneth Hughes
Mariët Westermann is a Dutch-American art historian who earned a Ph.D. from the Institute of Fine Arts at New York University with a dissertation on Jan Steen and who has gathered extensive experience as an academic researcher, curator, and arts administrator. She has also written a dossier on Vermeer for the Rijksmuseum and contributed a fine book on Rembrandt, as well as various entries in exhibition catalogues. She has presented here --despite the contorted title of the American edition (the British edition calls it what it is, "The Art of the Dutch Republic, 1585-1718")--a well articulated and straightforward introduction to its subject. There are many more lavishly illustrated and detailed books devoted to this topic, but in terms of compactness, accessibility, and balance between illustration and text, this is probably the most useful one we currently have. The temporal parameters are those traditionally set for the period, 1585 being the year that Antwerp was recaptured for the Spanish Netherlands and of the exodus of Protestant population to the North, and 1718 seeing the publication of the first volume of Arnold Houbraken's retrospective collection of biographies of the Netherlandish artists. Sandwiched between those years was the celebrated "Gouden Eeuw," the golden age of Dutch art, and all the major themes that arise in connection with the artistic world of the young Republic are touched on in summary form in this lively and quickly moving book. Her first chapter deals with making and marketing art and discusses such topics as how the restructuring of the old guild system created a hierarchy of art workers to explore and exploit new genres and techniques. (Much more extensively treated in Michael North's comprehensive "Art and Commerce in the Dutch Golden Age"--cf. my review on this website.) Chapter 2, "Texts and Images," considers the popularity of emblem books and the important subgenre of letter-writing and letter-reading in this unusually literate society and examines the ubiquitous correlation in this art between reading and viewing, which has been the subject of several recent exhibitions and their catalogues. (See my review of Peter C. Sutton, et. al., "Love Letters: Dutch Genre Paintings in the Age of Vermeer" for that and further references.) The third chapter engages the issues surrounding realism in the paintings: the distinction between drawing "naer het leven" (from life) and "uyt den gheest" (from the mind) interestingly prefigures the very similar discussions two hundred years later when the Impressionists debated the relative merits of painting "sur le motif" as opposed to back in the studio. The behest of verisimilitude in these paintings impels all kinds of veristic techniques from one-point perspective to the use of lenses and Vermeer's celebrated "camera obscura" (if he actually used one). ( At the court in Vienna, Ferdinand III was sufficiently charmed by such optical trickery as to award Samuel van Hoogstraten a medal for "deceptive still life"!) The other side of that coin, though, was the simultaneous evolution of the completely unrealistic techniques of the Mannerists. Westermann has a good chapter on the way in which paintings of all types--not only historical scenes, but also the more quiescent genre scenes and landscapes--were put in service of a developing national identity that was required to smooth over the actual conflicts of local interest that characterized the early Republic. Altogether, this is a fine introduction to the subject; it is judiciously balanced, well organized, clear in its discussions, and superbly illustrated. The library of Dutch Golden Age books is deservedly enormous, but this little book has a most useful function in that collection, as a guide or model of organization and a very handy reference.
37 of 40 people found the following review helpful.
Brilliant Book in a Brilliant Series
By James D. Ahrens
The Dutch Golden Age wasn't high on my list of favorites -- until this book came along.
This, in common with other volumes in the "Perspectives" series, offers high quality (though small) reproductions of important works, up-to-date analysis and discussion of the art and the contexts in which it was created.
It does all this while also offering two things that are rare in art books -- clear, well-written prose accessible to a lay audience, and a reasonable price. An excellent introduction to the subject, and a wonderful addition to any library.
19 of 20 people found the following review helpful.
Keep this one always
By Margie Read
This book is beautifully printed and full of not only splendid pictures, but much useful information. This is the kind of book to put on your shelf for reference over and over. And, on a gloomy day, it will be a delight to get out and look through again.
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