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Maine Moderns: Art in Seguinland, 1900-1940 (Portland Museum of Art), by Libby Bischof, Susan Danly
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Between 1900 and 1940, a group of modernist artists gathered regularly on the coast of Maine in a region then known as Seguinland. For photographer Paul Strand, painter Marsden Hartley, sculptor Gaston Lachaise, and others, it was a way to escape market-driven, competitive, and divisive New York City, and celebrate a new kind of American Modernism.
In this beautifully illustrated book, Libby Bischof and Susan Danly explore the state's important place in the history of modern art and show how summers in Seguinland inspired a new classicism that merged the antique with the modern. They also shed light on how the various artists' experiences in the refreshing atmosphere on the Maine coast cemented their friendships, shaped their individual styles, and fostered their understanding of what it meant to be a modern artist.
- Sales Rank: #1867095 in Books
- Published on: 2011-06-28
- Original language: English
- Number of items: 1
- Dimensions: 10.41" h x .77" w x 8.81" l, 2.15 pounds
- Binding: Hardcover
- 184 pages
Review
"[A] carefully researched and generously illustrated book . . . [the authors] do a fine job of weaving local history into a narrative that features the personalities and relationships of these emerging Modernist artists."—Museum (Museum)
"Ultimately, the artworks stand alone. Their business is to transport, to help viewers see afresh, to remain pertinent because of depth of spirit, which is shown to arise often from a powerful combination of place and persons. I applaud the exhibition and this, its fine record."—Maine Antique Digest (Maine Antique Digest)
Winner of the 2013 New England Society Book Award in the Art & Photography category. (New England Society Book Award New England Society 2013-03-25)
About the Author
Libby Bischof is an assistant professor of history at the University of Southern Maine. Susan Danly is curator of graphics, photography, and contemporary art at the Portland Museum of Art and the author of Georgia O'Keeffe and the Camera: The Art of Identity (Yale).
Most helpful customer reviews
0 of 0 people found the following review helpful.
A must for Maine art collections
By Jean-Paul Michaud
Very interesting book with new insight in not-frequently mentioned artists. It expands the horizon of Maine art.
2 of 4 people found the following review helpful.
Maine --The Artists' Quiet Escape from New York
By Tom Groenfeldt
Kind of disappointing because it doesn't do a great job of linking Maine to the work that NYC artists did. They had a good time, hung out, ate nice dinners, chatted but it still sounds as if the core of their artistic development was back in New York. So they got a break from Stieglitz -- was Maine good for the artists who summered there, or just a breather? The book does not that the market was back in NYC. Living in Door County, Wisconsin, which plays a vaguely similar role to Chicago, I had looked forward to some deeper insights. Perhaps there aren't any -- it was a pleasurable summer escape and some decent landscapes and B&W nature closeups came out of it.
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