Ebook A Drawing Manual by Thomas Eakins (Primary Sources in American), by Thomas Eakins
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A Drawing Manual by Thomas Eakins (Primary Sources in American), by Thomas Eakins
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While a teacher at the Pennsylvania Academy of the Fine Arts, the celebrated American artist Thomas Eakins (1844–1916) prepared a drawing manual for his students. The manuscript developed out of his famous lectures at the Academy on linear perspective, mechanical drawing, reflections, and sculptural relief and included illustrations by the artist. Following his forced resignation from the Academy in 1886, Eakins abandoned plans to publish the manual, and the parts were dispersed. Today, drafts of the manuscript reside at the Philadelphia Museum of Art and at the Academy, which also holds many of the illustrations.
A Drawing Manual brings together Eakins’s text, based on a concordance of the drafts, and his original drawings for the project. This remarkable publication reveals Eakins’s personality and teaching philosophy, demonstrating why the artist was renowned as a plainspoken, effective teacher. In her fascinating introduction, Kathleen A. Foster sketches the background of the manuscript in the artist’s life and the story of the publication project. Amy B. Werbel provides an illuminating essay on Eakins’s place in the tradition of perspective drawing.
This book is essential for any student, scholar, curator, or individual interested in American art and art education.
- Sales Rank: #1248899 in Books
- Brand: Yale University Press
- Published on: 2005-03-11
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 6.75" w x .75" l, 1.01 pounds
- Binding: Hardcover
- 128 pages
- Great product!
Review
"An important artifact of American art history finally rescued from obscurity." -- Edward J. Sozanski, Philadelphia Inquirer
About the Author
Kathleen A. Foster is the Robert L. McNeil, Jr., Curator of American Art and Director of the Center for American Art at the Philadelphia Museum of Art. She has published extensively on Eakins, including Thomas Eakins Rediscovered (Yale University Press). Amy B. Werbel is Associate Professor of Fine Arts at Saint Michael’s College, Vermont.
Most helpful customer reviews
4 of 4 people found the following review helpful.
The Credentials of Thomas Eakins as a Draughtsman
By Grady Harp
Just when you thought you knew all the ins and outs of the life of one of America's greatest artists, Thomas Eakins, even through attending one of the many fine museum exhibitions of his work that seem to be always in circulation, up pops this publication brought out some five years ago - a first publication of Eakins' 'textbook' on drawing, based on his lectures at the Pennsylvania Academy of Fine Arts. In the well written introductory comments curator and editor Kathleen A. Foster -with tongue in cheek - shares the fact that Eakins rarely spent time with pencil in hand, preferring to guide his students to the brush as soon as possible.
In an essay by Amy B. Werbel we learn that Thomas Eakins was a devoted teacher and had planned to publish all of his lectures and notes and attendant scribbles at some point in his life, but when the scandalous dismissal of Eakins from the Academy occurred, the promised manuscripts were tucked away privately. But thanks to Yale University Press and the Pennsylvania Academy of Art we now have access to the artist's fine techniques of perspective drawing. The drawing manual offers student artists a unique opportunity to meet Eakins as instructor, to get a feel for his personality and teaching philosophy, and understand why he was renowned as an effective teacher. According to Amy Foster "The first five chapters are the most detailed and complete, and the most thoroughly illustrated, carrying the student through the principles and methods of three drawing systems: linear perspective, mechanical drawing and isometric drawing." This then is indeed a find for all art students and art lovers, especially those who appreciated representational art. Grady Harp, October 10
0 of 0 people found the following review helpful.
The best explanation of perspective drawing
By Daniel M Bergey
Eakins' manual demonstrates both his mastery of perspective (which is well-known) and his experience teaching, of which I was previously unaware. This slim book is an excellent read both for the practicing artist and for anyone interested in understanding how Eakins and his fellows achieved their results. Or, for that matter, anyone interested in 3D computer graphics or television viewing.
It explains a practical and intuitive method for accurate drawing, without recourse to algebra or the misleading reduction to parallel lines endemic to art-class perspective exercises. The explanation that a two-dimensional image can only provide proper perspective when viewed from a particular distance is missing from nearly every treatment of the subject. With this measurement in mind, Eakins explains precisely how large an object must be drawn according to its real size and apparent position.
The charming introduction explains how the manual came to be first published 100 years after it was written.
2 of 3 people found the following review helpful.
Not for most student drawers.
By C. Henry
This is a sweet little book based on Eakins's lectures on drawing but most of the book is concerned with perspective, and creating grids and so on, to build drawings on. It is VERY technical, and might appeal to very Virgo-esque student drawers, but I think for most people it is best either as a souvenir of Eakins and his wonderful body of work, or somebody who is really into mechanical drawing.
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