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The diptych––comprising two hinged panels that can be opened and closed like a book––was prevalent in Netherlandish art and depicted subjects ranging from secular portraiture to religious personages and stories. This lavishly illustrated book, the first ever to examine this painting format, examines approximately forty Netherlandish diptychs from the 15th and 16th centuries. Featuring magnificent works by Jan van Eyck, Rogier van der Weyden, Hans Memling, and Hugo van der Goes, among others, the book covers a wide variety of topics, including painting techniques, workshop practice, and the art market in the Netherlands of the time.
With fascinating discussions on each of the featured paintings, Prayers and Portraits reunites a number of diptychs that have long been separated. Essays examine the works in the context of contemporary texts and religious practices in northern Europe, incorporating new technical information and research. They also offer invaluable insights into the social status and aspirations of the sitters.
The exhibition is organized by the National Gallery of Art, Washington, and the Koninklijk Museum voor Schone Kunsten, Antwerp, in association with the Harvard University Art Museums, Cambridge.
- Sales Rank: #2463117 in Books
- Published on: 2006-10-28
- Original language: English
- Number of items: 1
- Dimensions: 1.68" h x 9.68" w x 12.82" l,
- Binding: Hardcover
- 352 pages
Review
"Beautiful. . . . Highly recommeded. General readers; lower-division undergraduates through professionals."—Choice (Choice 2007-07-01)
About the Author
John Oliver Hand is Curator of Northern Renaissance Paintings and Catherine A. Metzger is Senior Conservator of Paintings at the National Gallery of Art, Washington. Ron Spronk is Associate Curator for Research at the Straus Center for Conservation, Harvard University Art Museums.
Most helpful customer reviews
15 of 16 people found the following review helpful.
Man and God
By Reich Claude
This is a beautiful book, replete with high-quality illustrations and in-depth studies of all the works displayed in the 2007 exhibition it illustrates. It is a treasure trove of information on early Flemish painting, stressing technical as well as stylistic details, recalling the historical context of every work and showing how the image of man was, little by little, superseding that of god.
This book is destined to become a collector's piece. Undoubtedly one of the best recent art publications, as far as illustrations and scientific research are concerned.
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