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Named a Book of the Year by the Times Literary Supplement, this lavishly illustrated work explores the vibrant interaction among different and sometimes opposing cultures, and how their contacts with one another transformed them all. It chronicles the tumultuous history of Castile in the wake of the Christian capture of the Islamic city of Tulaytula, now Toledo, in the eleventh century and traces the development of Castilian culture as it was forged in the new intimacy of Christians with the Muslims and Jews they had overcome.
The authors paint a portrait of the culture through its arts, architecture, poetry and prose, uniquely combining literary and visual arts. Concentrating on the eleventh and twelfth centuries, the book reveals the extent to which Castilian identity is deeply rooted in the experience of confrontation, interaction, and at times union with Hebrew and Arabic cultures during the first centuries of its creation. Abundantly illustrated, the volume serves as a splendid souvenir of southern Spain; beautifully written, it illuminates a culture deeply enriched by others.
- Sales Rank: #538436 in Books
- Published on: 2009-10
- Format: EveryBook
- Original language: English
- Number of items: 1
- Dimensions: 9.90" h x .90" w x 6.90" l, 2.40 pounds
- Binding: Paperback
- 416 pages
Review
“The art, the architecture, and the poetry produced in the medieval Iberian peninsula are of such astonishing quality that a survey, especially when it is as intelligent and well presented as this one, can hardly fail both to illuminate and instruct.” –J.H. Elliott, New York Review of Books (J.H. Elliott New York Review of Books 2009-08-13)
"Jerrilynn D.Dodds’, Maria Rosa Menocal and Abigail Krasner’s Balbale’s Arts of Intimacy: Christians, Jews, and Muslims in the Making of Castilian Culture stands out in every respect: it is challenging, thorough, and compelling. Its importance lies in conveying the unique cultural and linguistic polyphony of the nascent Castilian culture. Iconographic testimonies from architecture, epigraphy and calligraphy orchestrate the historical voices expressed in an unprecedentedly rich multilingual poetry. A startling and provocative book that puts an end to any essentialist claim to be laid on this exceptional part of Europe."—Angelika Neuwirth (Angelika Neuwirth)
"I am sure the Arts of Intimacy was a labor of love for the authors, but for the reader this brilliantly conceived book opens a window onto a marvelous new vista of Muslim Spain. The Islamic political enterprise in al-Andalus collapsed in 1492, and the human survivors of that debacle were soon either expelled or expunged in baptismal fonts across Catholic Spain. Tourists now stand in admiration before the great monuments of once Spanish Islam, the solemn grandeur of the Córdoban Mezquita and the dazzling but ineffably sad rococo of the Alhambra, truly the Moors’ last sigh in Spain. But in this happy collaboration of a photographer, an art historian and a belle de letters, we are shown other Islamic monuments in Spain, often silent and unassuming ones, but more popular than the imperial mosque of Córdoba and certainly more essentially revealing than the studied curlicues of the Alhambra.
After they had rid themselves of the professed Muslims, the Spanish Christians began feverishly to scrub out even their faintest traces in their need to guarantee a true limpieza de sangre. How poorly they succeeded is documented in the Arts of Intimacy. There, hidden in plain sight in the cities and towns of Castile, are the local monuments of the Moorish style, the Western Islamic view of life and art that had worked its way deep into the fabric of Spanish sensibility. Both before and after 1492 Islamic decorative art and architecture continued to manifest itself, like flowers in mid-winter, in unlikely places across profoundly Catholic Castile and in the unexpected settings so magnificently portrayed and unpacked and understood in the dense but lucid pages of the Arts of Intimacy. Like Her Catholic Majesty Isabella accepting the surrender of Muslim Granada arrayed quite unselfconsciously in her best Moorish apparel, the Art of Intimacy shows how Castile itself continued to adorn her public face in the gracious manner of the Moors and, indeed, in the end, thought it was her natural complexion."—F. E. Peters, New York University
(F. E. Peters)
"A delightful blend of poetry and solid science. How a nation was born out of fascination for the enemy it was victoriously fighting, gaining momentum 'with each meal shared, or bridle admired, each textile or ivory box received in tribute', and with each story told."—Gabriel Martinez-Gros
(Gabriel Martinez-Gros)
"All Medievalists should welcome and treasure this splendid book. Here we see, in an innovative and eminently convincing perspective, the unique phenomenon of medieval Iberia, as a collaborative and also as a conflictive creation of Castilians belonging to the three religions. As much for scholars interested in literature and language, as for those concerned with art and architecture, this book will be 'must' reading. Dodds, Menocal, and Krasner Balbale deserve our thanks and our congratulations."—Samuel G. Armistead
(Samuel G. Armistead)
"This handsomely produced and generously illustrated book explores the praxis of medieval Castilian culture inherited by Catholic kings. . . . [An] impressive work of scholarship. . . . An important addition to the scholarship of medieval Iberia."—Library Journal (Library Journal 2009-03-01)
“[An] ambitious study … [with] stunning presentation.”--Michael Kerrigan, The Scotsman ‘The Critique’
(Michael Kerrigan The Scotsman ‘The Critique’ 2009-01-31)
“Fascinating …by no means a dry scholarly text and there are some extremely funny passages which enrich the book … To find that historic link between English Renaissance and 12th century Spain with its Moorish culture … is, quite frankly, breathtaking … Certainly, The Arts of Intimacy is, to my mind, a worthy addition to any serious bookshelf.” - Richard Edmonds, Birmingham Post
(Richard Edmonds Birmingham Post 2009-02-13)
“The Arts of Intimacy creates a composite close-up of a part of Spain usually associated with rock-solid Catholic oppression and authority…explored here subtly and richly.”--Times Literary Supplement
(Marina Warner Times Literary Supplement 2009-11-27)
“The compelling story of the complex entangling of Christian, Muslim, and Jewish history, culture, literature and art in medieval Iberia has been told many times before…But it has never been told like this…A rich tapestry of a book that brings to vivid life the dialectic of acculturation and assimilation in which medieval Spain’s three religious groups were enmeshed.”--Jill Ross, Times Higher Education (UK)
(Jill Ross Times Higher Education (UK) 2009-09-03)
Named a Book of the Year by the Times Literary Supplement (Times Literary Supplement)
“…beautiful and gorgeously illustrated. . . .this is a fascinating trawl through a forgotten time.”--Catholic Herald
(Catholic Herald)
Short-listed for the ACE/Mercers International Book Award, for making an outstanding contribution to the dialogue between religious faith and the visual arts
(ACE/Mercers International Book Award Art and Christianity Enquiry)
‘The approach taken by the group of American authors is fresh…. The book is beautifully, almost extravagantly, illustrated…The Arts of Intimacy and its authors are nonetheless to be applauded for taking up the challenge with brio and the publishers for producing a beautiful book.’ — Allan Doig, Art and Christianity, February 2010
(Allan Doig Art and Christianity 2010-02-01)
"The Arts of Intimacy offers a multiconfessional and multidisciplinary alternative to the usual historical narrative of teh Castilian state's construction from the first days of Muslim presence on the Iberian Peninsula through the Christian conquest of Granada in 1492. . . . The Arts of Intimacy represents an accessible, innovative, and dynamic introduction to a very complex field. . . . The study is underwritten by a sophisticated methodology and is ambitious in its attempt to confront the problem of applying nomenclature—cultural, confessional, regional, or otherwise—to forms."—Cynthia Robinson, Art Bulletin (Cynthia Robinson Art Bulletin 2009-12-01)
"The Arts of Intimacy provides a perfect segue to a more focused look at the vast world of Islamdom's visual arts." —J. Renard, Religion and the Arts (J. Renard Religion and the Arts)
"Richly illustrated. . . . Deliberately accessible. . . . Through its clear narrative and its elegant style , and thanks to its affordable price, Arts of Intimacy works to render a fascinating and complex topic more widely accessible to a general readership."—Andrea Weisl-Shaw, Medium Aevum (Andrea Weisl-Shaw Medium Aevum)
"Beautifully written and lavishly illustrated, the book represents a distinguished contribution to our understanding of the cosmopolitan world of medieval Iberia."--Catholic Historical Review
(Catholic Historical Review)
"[The Arts of Intimacy] unfolds as a complex interlacing of literary, visual, and historical evidence that challenges the idealized notion of medieval Iberian convivencia, or peaceful coexistence, with nuanced interpretations of crossdisciplinary evidence. The text's high points are thoroughly enjoyable."—María Judith Feliciano, Speculum--A Journal of Medieval Studies (María Judith Feliciano Speculum--A Journal of Medieval Studies)
Winner of the 2010 Albert C. Outler Book Prize given by the American Society of Church History (Albert C. Outler Book Prize American Society of Church History 2011-02-11)
"In seven highly readable chapters, each divided into a series of carefully crafted vignettes, the authors take the reader on a evocative and thought-provoking journey, and deploy their undoubted expertise in this field to excellent effect. . . . The Arts of Intimacy will become essential reading for scholars and students of this period. Beautifully written and lavishly illustrated, the book represents a distinguished contribution to our understanding of the cosmopolitan world of medieval Iberia."—Simon Barton, Book Reviews (Simon Barton Book Reviews)
About the Author
Jerrilynn D. Dodds is distinguished professor and senior faculty advisor to the provost for undergraduate education, City College of New York. She lives in New York City. María Rosa Menocal is director, Whitney Humanities Center, and Sterling Professor of the Humanities, Yale University. Her previous book, The Ornament of the World: How Muslims, Jews, and Christians Created a Culture of Tolerance in Medieval Spain, has been translated into seven languages. She lives in New York City. Abigail Krasner Balbale is a candidate for the Ph.D. in history and Middle Eastern studies at Harvard University, where she focuses on the cultural history of medieval Iberia. This is her first book.
Most helpful customer reviews
38 of 38 people found the following review helpful.
The book many of us have been waiting for
By Dennis Waters
In The Arts of Intimacy, Dodds, Menocal, and Balbale document and analyze the collision/fusion of Muslim, Christian (indigenous Mozarabic and Roman), and Jewish cultures in the architecture, literature, decorative arts, and linguistics of medieval Spain. They focus on Toledo, which, as a city on the border between the Christian and Muslim worlds, was a microcosm of the evolution taking place all over the peninsula.
This is a terrific book, beautiful to look at (almost but not quite a coffee-table book), well-organized, nicely-written, and full of wondrous detail and provocative thinking. For those interested in learning more about this subject, the 57-page annotated bibliography "Sources and Readings" is alone worth the price of the book.
If you are one of those who thought Menocal's The Ornament of the World presented a simplistic, utopian view of the period, this book is the antidote. The detail is lavish in support of the theses and there is no attempt to gloss over the many ugly lapses of La Convivencia.
If anything, The Arts of Intimacy argues against any simplistic or reductionist approach to the development of Iberian culture. Esthetic influences were as fluid and multidimensional as political alliances, and in many cases religion turns out to be the least useful tool of explanation.
Get the book. Look at the photographs. Read the poems. Absorb and reflect on the hundreds of examples of cross-cultural influence. I promise you a worthwhile journey.
17 of 17 people found the following review helpful.
Great
By D. Fairchild Ruggles
Been eagerly awaiting this and am glad to see it in print. It is rich in its interdisciplinary breadth, the evocative descriptions of places and explanations of society, and the complex ways that it traverses the ethnicities, religions, and politics of medieval Spain. Excellent text for classes in medieval art, literary, and cultural history, but also highly recommended for enthusiasts of al-Andalus and Spain. For example, this would be a great book to read prior to traveling to Spain.
6 of 6 people found the following review helpful.
How Cultures Interact
By Robert Lebling
Intimacy here means close contact between communities - in this case, Muslims, Christians and Jews in medieval Spain. It took almost 800 fitful, fractious years for the small Christian kingdoms of Iberia to join forces and recapture the peninsula from the Muslims. In this original, thoughtful study, the authors show how cultures interact and cross-fertilize despite themselves.
The tolerance of Umayyad Spain, and the cultural efflorescence it produced, lived on for centuries after Muslim-ruled cities - like Cordoba, Seville and especially Toledo -- were conquered and assimilated by Castile and its allies. We are all familiar with the period of Christian religious paranoia and doctrinal rigidity that led to expulsion of the Jews from Spain in 1492 and the removal of Muslims and Moriscos over the next century.
What is less well known is how the evolving culture and arts of Castile, particularly from the 11th-14th centuries, were influenced and molded by the achievements of Spanish Muslims and Jews.
Alfonso VI, conqueror of Toledo, styled himself "king of the two religions" (Christianity and Islam). His most difficult task was not governing Muslims, the backbone of the city's economy, but rather ruling the Mozarabs, local Arabized Christians who chafed under the control of Latin clergy sent by Rome. Alfonso admired Muslim culture -- the surviving Christian architecture, with its horseshoe arches, Arabic inscriptions and other Muslim features, reveals as much.
Centuries later, Alfonso X, the Wise, who spoke Arabic and read its classics, presided over a Castilian cultural renaissance, overseeing the development of written Romance (later called Spanish) as an equal of Latin and Arabic, ushering in a rich, secular Romance literature that borrowed frame tales from the East, and promoting translation of great Arabic works for European scholars. Muslim and Hebrew traits became inextricable strands of the evolving Castilian culture.
This book is impressively illustrated and features an in-depth, and very useful, bibliographic essay.
[A version of this review appeared in Saudi Aramco World, Mar/Apr 2009.]
See all 17 customer reviews...
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