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Owning the Past: Why the English Collected Antique Sculpture, 1640–1840 (Paul Mellon Centre for Studies in British Art), by Ruth Gui
Ebook Free Owning the Past: Why the English Collected Antique Sculpture, 1640–1840 (Paul Mellon Centre for Studies in British Art), by Ruth Gui
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In a lively re-examination of the British collectors who bankrupted themselves to possess antique marble statues, Owning the Past chronicles a story of pride, rivalry, snobbery, and myopic obsession with posterity and possession. Analyzing the motives that drove “Marble Mania” in England from the 17th through the early 19th century, Ruth Guilding examines how the trend of collecting antique sculpture entrenches the ideals of connoisseurship and taste, exacerbates socioeconomic inequities, and serves nationalist propaganda. Even today, for the individuals or regimes that possess them, classical statuary performs as a symbol of authority or as the trophies of a “civilized” power. From Adolf Hitler posing for the press beside an ancient copy of Myron’s Discobolus to the 2002 sale of the Newby Venus for a record price of about $13 million to the Emir of Qatar, marble mania remains unabated. With insider access to private collections, Guilding writes with verve and searing insight into this absorbing fixation.
- Sales Rank: #1009413 in Books
- Published on: 2015-01-27
- Original language: English
- Number of items: 1
- Dimensions: 11.90" h x 1.30" w x 10.00" l, .84 pounds
- Binding: Hardcover
- 412 pages
Review
‘The result of years of research and exclusive access to little-known private collections, Guilding’s book tackles the bankruptcies, rivalries, unbridled snobbery and social snakery in the world of collecting. More riveting than Downton Abbey.’—Vanity Fair (Vanity Fair 2014-11-01)
'Most unusually, the actual reach of Ruth Guilding’s mighty and compelling new study is far wider than the already large subject of ‘Why the English Collected Antique Sculpture, 1640-1840.'— David Ekserdjian, The Spectator (David Ekserdjian The Spectator 2014-11-08)
‘Beautifully illustrated, particularly with installation photographs both old and new, this enthralling book has a lifetime’s use ahead as the intelligent wanderer’s companion.’—Brian Sewell, Evening Standard.
(Brian Sewell Evening Standard 2014-12-18)
‘For anyone wishing to pursue an interest in the subject, there could hardly be a more alluring or stimulating guide than this impressive work.’—Giles Waterfield, Art Newspaper.
(Giles Waterfield Art Newspaper 2015-02-01)
About the Author
Ruth Guilding is an independent scholar and critic.
Most helpful customer reviews
5 of 7 people found the following review helpful.
One-sided
By William Suddaby
Ruth Guilding seems to be of the opinion that those in Great Britain who collected ancient marbles in the 18th and 19th Centuries were either perfect snobs, reckless social climbers, or scheming megalomaniacs. Absent is a recognition of the abiding allure of the statues and busts themselves, their wondrous beauty, the tangible enchantment they give us of the ancient past.
The autor's encyclopedic inventory encompassing the acquisition and disposition of countless marble antiquities is of special value to classical scholars, if sometimes tedious reading. The book itself is gloriously produced in layout and photography, but the author's bias towards what is disgusting in the collectors results in an unbalanced and somewhat derogatory view of something the world genuinely, enduringly enjoys and admires.
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