Free Ebook Wild Soundscapes: Discovering the Voice of the Natural World, Revised Edition, by Bernie Krause
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Wild Soundscapes: Discovering the Voice of the Natural World, Revised Edition, by Bernie Krause
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A founder of soundscape ecology offers a pioneering field guide for listening to and recording the sounds of the wild
Through his organization Wild Sanctuary, Bernie Krause has traveled the globe to hear and record the sounds of diverse natural habitats. Wild Soundscapes, first published in 2002, inspires readers to follow in Krause’s footsteps. The book enchantingly shows how to find creature symphonies (or, as Krause calls them, “biophonies”); use simple microphones to hear more; and record, mix, and create new expressions with the gathered sounds. After reading this book, readers will feel compelled to investigate a wide range of habitats and animal sounds, from the conversations of birds and howling sand dunes to singing anthills.
This rewritten and updated edition explains the newest technological advances and research, encouraging readers to understand the earth’s soundscapes in ways previously unimaginable. With links to the sounds that are discussed in the text, this accessible and engaging guide to natural soundscapes will captivate amateur naturalists, field recordists, musicians, and anyone else who wants to fully appreciate the sounds of our natural world.
- Sales Rank: #902531 in Books
- Published on: 2016-05-24
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .63" w x 5.50" l, .0 pounds
- Binding: Paperback
- 240 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
A Good book to read for the beginner, and enjoyable for any recordist
By W. Ruscher
I only went 4 star because it did not contain as much recording technical tips as I had hoped for, but I don't believe this book was written for that purpose. The book was very enjoyable and gave me a different perspective on nature recording, such as learning to listen better while in the field, choosing my locations, and some helpful tips on preparing my equipment for various situations. The CD with Bernie's narration and wonderful field recordings and mixes ,was certainly 5 Star quality!
4 of 5 people found the following review helpful.
valuable information by an enthusiastic pro
By Pantucci
Wonderfully entertaining and informative, this book went with me to a remote island where I used it to create my most successful recordings to date.
I subtract one star because Krause makes comments suggesting that the sounds of the city are not to be enjoyed. I enjoy all of the ambient sounds of natural environments, including non-native species, and industrial sounds.
While he goes to great lengths to suggest that noises such as a jet pass-over detrimentally interrupt natural environments, the point fails to support the subject of the book. The information is well taken, but disturbing; which broke the magic of the book for me. That subject deserves its own book. This one deserved a more narrow focus.
10 of 13 people found the following review helpful.
Field Recording 101
By Robert Carlberg
This book is basically a "how-to" guide for making field recordings. Dr. Krause -- who is the undisputed best at this -- takes the reader through such steps as choosing appropriate equipment, determining a good locale, protecting equipment from the elements, cataloging your recordings, editing and assembling afterwards, etc. Using his own mistakes as examples, his advice promises to save beginners countless hours of aggravation. An illustrative (narrated) CD of soundscape examples accompanies the text.
My only complaints would be that he sometimes aims a bit too low -- the glossary defines "quiet" and "mic" for crying out loud -- and he automatically assumes that anybody else entering the field will want to duplicate exactly what he's done (which of course would be pretty pointless). He also apparently doesn't see the inherent contradiction between "Nature is an overused and abstract word, intertwined with a tradition that has created an 'it/us' dichotomy that separates us from the very world we try to describe" [p.2] and "In 1968 it took 15 recording hours to get one hour's worth of natural sound. Now, due to human noise and disturbed habitats, it takes about 2,000 hours to get the same result" [p.3].
Still, this is a valuable field guide for anybody starting out.
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