Minggu, 31 Mei 2015

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The Myth of Nouveau Réalisme: Art and the Performative in Postwar France, by Kaira M. Cabañas

On October 27, 1960, art critic Pierre Restany named a group of Paris-based artists the “Nouveaux Réalistes” (New Realists) in a founding declaration that stated, “The New Realists recognize their collective singularity. New Realism = new perceptual approaches of the real.” Besides Restany, this group included Arman, François Dufrêne, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely, and Jacques Villeglé. Their work incorporated consumer objects and new media in response to the postwar period’s painterly modes and its burgeoning consumer and industrial society. However, they did not share a common avant-garde strategy.

 

The Myth of Nouveau Réalisme is a critical reassessment of this important neo-avant-garde movement. Kaira M. Cabañas offers an interdisciplinary account of their work and challenges the ideas of Restany, who mandated a “direct appropriation of the real.” Cabañas posits that, for the Nouveaux Réalistes, realism engaged performative practices to produce alternative social meanings.

  • Sales Rank: #937849 in Books
  • Brand: Brand: Yale University Press
  • Published on: 2013-03-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .80" w x 7.50" l, 1.75 pounds
  • Binding: Hardcover
  • 208 pages
Features
  • Used Book in Good Condition

Review
"Elegantly designed and rigorously argued, The Myth of Nouveau Réalisme is an important contribution to the methodology of critical art history and for the foreseeable future will make essential reading for students of postwar French art."—Liam Considine, Art Journal (Liam Considine Art Journal)

“Beautifully illustrated . . . engaging . . . rewarding.” —Publishers Weekly (Publisher's Weekly 2013-04-01)

“Kaira Cabañas’s book is an ambitious analysis of artists associated with the heterogeneous group Nouveau réalisme…. [It] lucidly examines select cases where artists’ social and political agency advances their methods well beyond ready-made appropriations.”—Rosemary O’Neill, French Studies
(Rosemary O'Neill 2015-03-26)

About the Author
Kaira M. Cabañas is lecturer and the director of the MA in Modern Art: Critical and Curatorial Studies in the Department of Art History and Archaeology at Columbia University.

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Sabtu, 30 Mei 2015

^^ PDF Ebook Cuban Fiestas, by Roberto González Echevarría

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Cuban Fiestas, by Roberto González Echevarría

In the Cuban town of Sagua la Grande, a young Roberto González Echevarría peers out the window of his family home on the morning of the Nochebuena fiesta as preparations begin for the slaughter of a feast day pig. The author recalls “watching them at a distance, though thinking, fearing, that once I grew older I would have to participate in the whole event.” Now an acclaimed scholar of Latin American literature, González Echevarría returns to the rituals that defined his young life in Cuban Fiestas. Drawing from art, literature, film, and even the national sport of baseball, he vividly reveals the fiesta as a dynamic force of both destruction and renewal in the life of a people.

Roberto González Echevarría masterfully exposes the distinctive elements of the fiesta cubana that give depth and coherence to more than two centuries of Cuban cultural life. Reaching back to nineteenth-century traditions of Cuban art and literature, and augmenting them, in the twentieth, with the arts of narrative, the esthetic performances of sport and entertainment in nightclubs, on the baseball diamond, and in movie theaters, Cuban Fiestas renders the lilting strains of the fiesta and drum beats of the passage of time as keys to understanding the dynamic quality of Cuban culture. González Echevarría’s explorations are also illuminated by autobiographical vignettes that unveil the ever-shifting impact of the fiesta on the author’s own story of exile and return.

  • Sales Rank: #3756278 in Books
  • Published on: 2010-11-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.00" w x 6.13" l, 1.55 pounds
  • Binding: Hardcover
  • 376 pages

Review
"A jewel of a book, written by a Renaissance man. At once learned and passionate, Cuban Fiestas is a meditation on art and its engagement with time and place, those two vectors that intersect in our minds and hearts and determine who we are."—Carlos Eire, author of Waiting for Snow in Havana

(Carlos Eire)

“Roberto González Echevarría is the leading critic of Hispanic literature—American and Iberian—now living.  His synthesis of contemporary critical modes with the classical and romantic traditions of interpretation is original and influential.  As a mediator between Spanish language and English language literatures, he is beyond comparison.”—Harold Bloom

(Harold Bloom)

“Roberto González Echevarría's critical work is monumental. Polemical and lucid, it is among those that have most contributed to the renewal of Latin American criticism over the past thirty years.”—Edmundo Paz Soldán, author of Turing’s Delirium

(Edmundo Paz Soldán)

"In Cuban Fiestas, Roberto González Echevarría shows that the fiesta cubana, as represented in classic paintings, memorialized in Cuban novels both early and late, re-enacted in nightclubs and on film, and even performed on the field of dreams of Cuba’s national sport of baseball, is a presence whose force, despite history and within history, stands tall and prevails."—Rolena Adorno author The Polemics of Possession in Spanish American Narrative

(Rolena Adorno)

"This combination of personal anecdote and traditional literary criticism makes for interesting reading. The book is comprehensive, providing an encyclopedia account of Cuban fiestas. . . . Exciting and well researched, this book is a must for those interested in the Caribbean and Cuba."—R. Ocasio, CHOICE (R. Ocasio CHOICE)

About the Author
Roberto González Echevarría is Sterling Professor of Hispanic and Comparative Literature at Yale. He is author of The Pride of Havana: A History of Cuban Baseball, as well as major studies of Cervantes, Carpentier, García Márquez, and Sarduy.

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Jumat, 29 Mei 2015

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  • Published on: 1992-10-22
  • Original language: English
  • Number of items: 2
  • Binding: Hardcover
  • 32 pages

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Kamis, 28 Mei 2015

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In this volume, James Gustave Speth looks at the sea of troubles in which the United States now finds itself, charts a course through the discouragement and despair commonly felt today, and envisions what he calls 'America the Possible', an attractive future that we can still realize.

  • Sales Rank: #484275 in Books
  • Published on: 2013-09-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .70" w x 5.70" l, .75 pounds
  • Binding: Paperback
  • 272 pages

Review


"[Speth] does a marvelous job of summarizing the most pressing problems and offering realistic and promising solutions. . . . This book is optimistic even in the midst of seemingly insurmountable problems."—Choice

(Choice)

"It is indeed possible to restore America to a true, durable, and decent prosperity and Gus Speth shows how. Cogent, clear, compelling and essential reading for liberals and conservatives; optimists and pessimists alike. We can and we must!"—David W. Orr, Oberlin College; author of Hope is an Imperative and Down to the Wire (David Orr)

"A sweeping plan to save the United States by revamping the entire political-economic-societal paradigm...Speth concedes that his agenda is daunting... However, because he believes the country is in danger of failing the greater part of its citizenry unless current policies are altered, he chooses optimism, proposing specific reforms that can become reality if undertaken in a deliberate, measured way."—Kirkus Reviews  (Kirkus Review)

"A readable prescription for the future that's actually possible. [Speth's] message is clear: A new political economy is coming, and will eventually win the day. One that is more democratic, sustainable and, in a word, better for us all."—Robert M. Thorson, Hartford Courant

(Robert M. Thorson Hartford Courant)

“This critically important work brings together in a selective, judicious and integrated way the best current thinking on the American political economic crisis and related policies.”—Herman Daly, Professor Emeritus, School of Public Policy, University of Maryland; author of Beyond Growth (Herman Daly)

“A brilliant, powerfully supported manifesto and an indispensable call to arms in the fight to build a democratic and ecologically sustainable system in the 21st century.”—Gar Alperovitz, author of America Beyond Capitalism: Reclaiming Our Wealth, Our Liberty and Our Democracy (Gar Alperovitz)

“One of our most trusted elders in the environmental movement offers a sweeping and inspiring vision for how to transform a deeply ailing culture.  A true gift of a book, at exactly the right moment.”— Naomi Klein, author of The Shock Doctrine (Naomi Klein)

"In this hopeful and timely book, Gus Speth, one of the nation's leading environmental reformers turned system-critic, articulates what increasing numbers of Americans are feeling: a loss of faith in our market-centric, growth-oriented model. To jump-start a journey of transition, Speth presents a vision for comprehensive and deep change that is rooted in a sustaining economy and a new set of cultural values. Speth's profoundly humane sensibilities and common sense approach are sure to resonate with readers."—Juliet Schor, author of True Wealth: How and why millions of Americans are creating a time-rich, ecologically-light, small-scale, high-satisfaction economy (Juliet Schor)

"Speth is a seasoned leader and passionate truth teller with impeccable establishment credentials. In America the Possible he presents a compelling case for economic transformation and spells out a policy agenda to achieve a secure and prosperous future for all."—David Korten, YES! Magazine board chair and author of Agenda for a New Economy and The Great Turning

  (David Korten)

"Gus Speth’s wonderfully comprehensive account of the American condition is a devastating indictment.  Yet he lifts us up with his audacious vision of what can be."—William Greider, author of Come Home, America: The Rise and Fall (and Redeeming Promise) of Our Country (William Greider)

"There is no more important commentator and visionary on ways out of the American economic dilemma than Gus Speth. His experiences are unique—in government, academia, and as a deeply engaged economic activist, working toward a systemic evolution that accepts natural limits and the primacy of democratic values. His new book is confident, comprehensive, rich with new ideas, and it confirms Speth as among the leading thinkers and voices in the urgent campaign for new economic models. I recommend it to everyone."—Jerry Mander, author, The Capitalism Papers; Fatal Flaws of an Obsolete System (Jerry Mander)

"America the Possible does a marvelous job of summarizing the most pressing problems and offering realistic and promising solutions...Written by a sensitive, well-informed scholar who has served the country in various capacities, this book is optimistic even in the midst of seemingly insurmountable problems."—Choice (Choice)

Honorable Mention, General-Non-Fiction category at the 2013 Green Book Festival sponsored by JM Northern LLC (Green Book Festival JM Northern Media LLC 2013-05-08)

"At a time when forgettable blueprints for social change appear almost daily, this one stands out for being remarkably fresh, readable, and incisive."--Solutions (Solutions)

"At a time when forgettable blueprints for social change appear almost daily, this one stands out for being remarkably fresh, readable, and incisive."—Michael H. Shuman, Solutions (Michael H. Shuman Solutions)

From the Author

A conversation with Gus Speth

Q: You have previously authored two award-winning books with Yale University Press. How do you see America the Possible in relation to the other two?

A: I see them as a progression, a trilogy perhaps, each digging deeper into what I think of as the American Crisis. When huge problems emerge across a wide front, such as we have in America, it cannot be for small reasons. What we have is system failure. Our current system of political economy is not delivering good results socially, economically, environmentally, or politically. That's America's real crisis. America the Possible takes all this head on; it is the broadest in scope and boldest in ambition of the three books.

Q: How so?

A: The book is brutally honest about the full range of major challenges America now faces, not just the environmental ones. It explains how we got ourselves into this sea of troubles and presents the specific changes now needed to get us out. Importantly, it describes a vision of America the Possible, an attractive yet plausible future that is still within our power to realize. And it sets out how system change can come to America.

Q: What should the first steps toward America the Possible be?

A: The truly good news is that important steps are already being taken. Look across America and one sees local communities reclaiming themselves, new forms of corporate ownership and management, families adopting new lifestyles, and much more. The future is being built from the bottom up. The next big step, which I discuss in Part IV of the book, is for progressives of all stripes to come together to forge a movement demanding prodemocracy political reforms. We've got to save our democracy from creeping corporatocracy and plutocracy, and we've got to do it soon.

About the Author
James Gustave Speth is Distinguished Senior Fellow at Demos, and Professor of Law at Vermont Law School. He is the author of "Red Sky at Morning "and "The Bridge at the Edge of the World."

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25 of 26 people found the following review helpful.
Thoughtful and optimistic view of our future.
By J. Wilson
Gus Speth is a very good writer and especially on a topic that often seems dry and incomprehensible to many. His description of the economic mess in which we find ourselves and how we got here, is very clearly presented; a degree in economics is not required. I especially applaud the distinction he makes between ideology-driven policy on the one hand and realistic, fact-based analysis on the other. The reader will quickly learn that Gus Speth is in the latter camp. While ours is truly a "troubled" economy, Gus Speth presents an optimistic manifesto for the future, based not on idealism and wishful thinking, but on careful analysis of what has gone wrong and on positive and action-based trends he observes already appearing across the land. While he is more optimistic than I am as to whether we can overcome the paralyzing divisiveness and gridlock in our political arena, I do find myself more hopeful now that I have read this book.

I recommend this book to any citizen who is concerned about our country and what it will hold for future generations and anyone who, rather than lapsing into a negative and cynical view of our democracy and our future, is eager to be a part of the solution.

21 of 22 people found the following review helpful.
Another Economy Is Possible
By Jeremy Brecher
America the Possible: Manifesto for a New Economy by James Gustave Speth shows that it's possible to fix our economy, our environment, and our democracy -- and that fixing each goes hand-in-hand with fixing the others.

As millions of people in the US and billions around the world suffer unemployment and deprivation, those who care about workers instinctively reach for economic growth as the way to create decent livelihoods for all. Yet those who are paying attention to what is happening to our land, waters, and climate know that the unintended consequence of modern economic growth is the destruction of the very ecosphere that makes life on earth possible.

Speth synthesizes a wonderfully wide range of models, proposals, and forms of action into a synergistic whole. He shows how we can create full employment by greatly expanding our production of things that people need -- from education and healthcare to climate-protecting energy, manufacturing, and transportation systems. At the same time, we can phase out the kinds of production that are hurting us -- from fossil fuel energy systems to yet more weapons to make the rubble bounce. And he shows how such a program can draw labor and environmentalists, local communities and advocates of global justice, and many other constituencies out of their silos and into a broad-based movement for a sustainable future.

"America the Possible" is still possible, Speth believes, but only if we change directions with genuine urgency.

15 of 16 people found the following review helpful.
Scientist James Gustave Speth Calls for a New Progressive `Story' and Movement
By David Crumm
If you want a hard-headed analysis of the global disaster that is looming, and possible pathways to cope with that challenge in sustainable ways, then you need to read books by the former head of Yale's school of environmental studies James Gustave Speth. Several years ago, I strongly recommended Speth's prophetic, research-based manifesto, The Bridge at the Edge of the World: Capitalism, the Environment, and Crossing from Crisis to Sustainability.

There's no coincidence that we are receiving Speth's newest book in the same week that the great pioneer in writing about world religions, Jacob Needleman, is releasing his latest book: TITLE In this new America the Possible: Manifesto for a New Economy, Speth's repeats and expands upon his appeal for a new progressive vision as well as a worldwide network to push for social, economic and environmental change. World events are moving so rapidly now that thinkers from realms of religion, like Jacob Needleman, and science, like Speth, are honing their messages into clarion calls that just might make a difference.

In his earlier book, Speth ended with some strong questions to teachers, religious leaders, social activists, scientists as well as anyone else who would listen and start thinking. Now, he is mapping out an even clearer appeal that he describes as a new progressive movement. Toward the end, he writes: "Throughout this book, I have made references to the various progressive communities. Note the plural. What does not exist yet, and what must now be built with urgency, is a unified progressive community." He explains in a clear-eyed way why most sympathetic men and women seem determined to construct barriers that so far are hobbling any hope for a unified movement.

Who can help? As he argued in his earlier book, Speth says that we need a deep, widespread and sustained effort to form and share "a different story." One key source for that new story is social movements. Speth writes: "Social movements are all about consciousness raising, and if successful, they can help usher in a new consciousness. ... The proliferation of protests in cities across our country in 2011 may have signaled its beginning."

But that's not enough, Speth concludes. Writing as a secular scientist, he argues that we must engage the world's religions, religious teachers and congregational leaders: "The potential of faith communities is enormous, and they are turning more attention to issues of social justice, peace and environment. ... In his 2009 encyclical, Charity in Truth, Pope Benedict XVI called for a radical rethinking of economic life, the profit motive, and economic disparities. Spiritual awakening to new values and new consciousness can also derive from the arts, literature, philosophy, and science. Consider, for example, the long tradition of `reverence for life' stretching back to the Emperor Ashoka more than 2,200 years ago and forward to Albert Schweitzer, Aldo Leopold, Thomas Berry, E.O. Wilson, Terry Tempest Williams, and others. ... Cultural transformation won't be easy, but it's not impossible either."

Speth ends his new book with poetry of Seamus Heaney:
History says, Don't hope
On this side of the grave.
But then, once in a lifetime
The longed-for tidal wave
Of justice can rise up,
And hope and history rhyme.

Speth concludes: "Full of hope, it is time to rise up and make history."

This new book is a great choice for individual reading. It's also a terrific choice for small-group discussion both in congregations and in secular settings. That's the reason I am giving this book 5 stars -- because of its strong cross-over appeal. Given Speth's stature, the Yale University Press publishing imprint and the balanced sources from which this book draws, there is no religious-secular boundary here preventing America the Possible from being discussed in any setting where people gather.

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** Ebook Download Emerald City: An Environmental History of Seattle (The Lamar Series in Western History), by Matthew Klingle

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Emerald City: An Environmental History of Seattle (The Lamar Series in Western History), by Matthew Klingle

At the foot of the snow-capped Cascade Mountains on the forested shores of Puget Sound, Seattle is set in a location of spectacular natural beauty. Boosters of the city have long capitalized on this splendor, recently likening it to the fairytale capital of L. Frank Baum’s The Wizard of Oz, the Emerald City. But just as Dorothy, Toto, and their traveling companions discover a darker reality upon entering the green gates of the imaginary Emerald City, those who look more closely at Seattle’s landscape will find that it reveals a history marked by environmental degradation and urban inequality.

 

This book explores the role of nature in the development of the city of Seattle from the earliest days of its settlement to the present. Combining environmental history, urban history, and human geography, Matthew Klingle shows how attempts to reshape nature in and around Seattle have often ended not only in ecological disaster but also social inequality. The price of Seattle’s centuries of growth and progress has been paid by its wildlife, including the famous Pacific salmon, and its poorest residents. Klingle proposes a bold new way of understanding the interdependence between nature and culture, and he argues for what he calls an “ethic of place.” Using Seattle as a compelling case study, he offers important insights for every city seeking to live in harmony with its natural landscape.

 

  • Sales Rank: #720563 in Books
  • Published on: 2009-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.10" w x 6.00" l, 1.20 pounds
  • Binding: Paperback
  • 400 pages

Review
"Matthew Klingle’s Emerald City is a courageously polarizing book. It fearlessly charges across the imaginary line dividing activism from analysis. Without humility, it takes on luminaries of philosophy and history in the service of articulating a twenty-first-century ethic of environmental and social justice." — James Longhurst, University of Wisconsin (James Longhurst Environmental History 2012-07-01)

About the Author

Matthew Klingle is associate professor of history and environmental studies, Bowdoin College.

Most helpful customer reviews

15 of 15 people found the following review helpful.
A History that Speaks to All Cities
By Joseph E. Taylor III
Matthew Klingle has written a brilliant study of how the city--in this case Seattle but it could be any city--creates at once both beauty and ugliness. Tracing stories about the physical, social, and cultural reorganization of Seattle and its hinterlands, Klingle shows exactly why the effort to build a more livable city also made Seattle increasingly unlivable for some residents. Readers will be left with a deeper appreciation for the strengths and weaknesses of urban environmental reform in the last century, how urban ecology intrinsically shaped social inequity, and why historical perspective is absolutely crucial when cities decide to address environmental problems. The epilogue is simply brilliant, providing readers with a brave and smart discussion about why acknowledging the shortcomings of past policies is essential for developing what Klingle calls a historically-informed "ethic of place" as residents turn to the future. This is an exceptional work of history.

11 of 11 people found the following review helpful.
Excellent Examination of the Interplay of History & The Environment
By Steve Wedel
If you are interested in both history and the environment, and a new, rigorous and thoughtful way of examining the interplay between the two, then The Emerald City will undoubtedly interest you. Mr. Klingle tackles the history of Seattle - literally from the ground (or is that the Sound?) up - with an eye on showing how the building of a major metropolitan city can lead to both inevitable and surprising consequences, even when said city-building is done with a cognizance of the need to take into account surrounding pristine environs, and, indeed, even when trying to develop the city with the best interests of the environment in mind. Which, I think, is the point; one cannot separate development and the environment, and as such they must be approached with a new paradigm.

Klingle comes at this tale from multiple angles - the greed and power of the early railway companies, the socio-economic impact not only on the native Sound tribes but on the early western settlers as well, the planning of Seattle's verdant parks by Olmstead, an extremely eye-opening take of the interplay between ecology and urban poverty - and brings them together in a way that, in the end, to my mind echoed perfectly the multiple waterways that all feed into, and sustain, Seattle.

That Mr. Klingle is a top-notch writer, with the ability to turn a beautiful phrase or metaphor with seeming ease, is just icing on the cake. I am neither an academic nor a scholar, but The Emerald City is a book of surpassing intelligence and thoughtfulness, and, like the "emerald" associated with Seattle, a gem worth looking into. Highly recommended.

5 of 5 people found the following review helpful.
Great history lesson
By Steve Frazier
I'd read several histories of Seattle before this, so I knew the basic outline of how the city was settled and how the land was reshaped by engineers -- filling in mud flats, knocking down hills, carving a ship channel connect Puget Sound to Lake Washington. But this book goes much further, exploring each of those developments in detail, plus many others I didn't know about, showing how developers, engineers, railroads, and government officials worked to carve a city out of the diverse and challenging environment. The author explores how engineers dominated city government for many years, and how their decisions about water supplies, auto traffic vs. parks, sewer lines, etc., continue to shape the city and its neighborhoods today.

Particularly revealing here is how some of the "victories" of Seattle's growing environmental consciousness have come at a pretty high price. For example, the cleanup of Lake Washington in the 60's was heralded as a great victory for science and the environmental movement -- but it came at the price of re-routing even more sewage into the Duwamish River (now one the nation's largest Superfund sites) and into Puget Sound (thereby creating further problems for the Sound's ecosystem).

Great read -- ties together nature, geography, ongoing court cases involving Indian fishing rights, urban geography and sociology.

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Rabu, 27 Mei 2015

~ Ebook Download Algeria: Anger of the Dispossessed, by John Phillips, Martin Evans

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Algeria: Anger of the Dispossessed, by John Phillips, Martin Evans

After liberating itself from French colonial rule in one of the twentieth century’s most brutal wars of independence, Algeria became a standard-bearer for the non-aligned movement. By the 1990s, however, its revolutionary political model had collapsed, degenerating into a savage conflict between the military and Islamist guerillas that killed some 200,000 citizens.

 

In this lucid and gripping account, Martin Evans and John Phillips explore Algeria’s recent and very bloody history, demonstrating how the high hopes of independence turned into anger as young Algerians grew increasingly alienated. Unemployed, frustrated by the corrupt military regime, and excluded by the West, the post-independence generation needed new heroes, and some found them in Osama bin Laden and the rising Islamist movement.

 

Evans and Phillips trace the complex roots of this alienation, arguing that Algeria’s predicament—political instability, pressing economic and social problems, bad governance, a disenfranchised youth—is emblematic of an arc of insecurity stretching from Morocco to Indonesia. Looking back at the pre-colonial and colonial periods, they place Algeria’s complex present into historical context, demonstrating how successive governments have manipulated the past for their own ends. The result is a fractured society with a complicated and bitter relationship with the Western powers—and an increasing tendency to export terrorism to France, America, and beyond.

  • Sales Rank: #386759 in Books
  • Published on: 2008-01-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.42" h x 1.37" w x 6.52" l, 1.68 pounds
  • Binding: Hardcover
  • 352 pages

From Publishers Weekly
Fifty years after winning a bloody independence struggle, Algeria remains disturbingly unstable and impoverished. British historian Evans and journalist Phillips draw a complex, engrossing portrait of a nation afflicted with many contemporary problems: terrorism, economic inequality, a stalled transition to democracy and the rise of Islamic fundamentalism. After gaining independence from France in 1962, leaders spoke of democracy but ruled with a one-party state. The first generation of free Algerians grew up under an increasingly corrupt military dictatorship. As decades passed, a swelling population and massive unemployment among young people increasingly attracted to the Islamic movement exploded into widespread violence during 1988's Black October. Although the army brutally suppressed the uprising, thereby radicalizing many victims and observers, the government determined that democratization was essential. After reforms, the radical Islamic party won a landslide victory in the 1991 preliminary electoral ballot despite laws aimed at the party's suppression. Military leaders canceled further elections and imprisoned thousands of Islamists. Other Islamists took to the hills. A vicious guerrilla terror campaign ensued for a decade. Evans and Phillips's clear-eyed tome reveals a fractured society seething under an insecure and oppressive government. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"An excellent primer that provides readers a quick orientation into Algeria's history from 1820 to the present."—Cmdr. Youssef Aboul-Enein, Waterline (Cmdr. Youssef Aboul-Enein Waterline 2008-08-14)

"As this chilling and important book makes clear, [Algeria] remains a country controlled by unelected men who have left most of the population disinherited and at continuing risk of political violence."—Michael Mewshaw, Washington Post (Michael Mewshaw Washington Post 2008-03-30)

About the Author

Martin Evans is professor of contemporary history at the University of Portsmouth and author of The Memory of Resistance: French Opposition to the Algerian War 1954–62 (1997). John Phillips has reported from Algeria for The Times as a special correspondent from 1991 to 1997, and is author of Macedonia: Warlords & Rebels in the Balkans (2004).

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8 of 8 people found the following review helpful.
Outstanding one-volume history of Algeria and its problems
By The Giant Skunk
The book is worthy to stand next to Alistair Horne's classic "A Savage War of Peace" in the bibiliography of books about this fascinating country with a tragic history. Not only does it clearly describe the war for independence in the 50's and 60's, but it also provides a very readalbe acount of the extreme violence the country witnessed in the 1990's. It also provides some interesting lessons that we could apply to our involvelement in Iraq.

Very readable and highly recommended for anyone with an interest in the region or Algeria specifically.

7 of 8 people found the following review helpful.
Good place to begin your study of Algeria
By dharmatech
* Three maps
* Seventeen plates
* Helpful Arabic glossary
* Twenty two pages of footnotes
* Seven page bibliography

Chapters four to eight focus on post-1988 Algeria.

Bite-sized chapters; longest is 41 pages.

6 of 6 people found the following review helpful.
One of the best analyses of the Algerian ninety civil war
By Lotfi
Great Thanks to John Philips and Martin Evans for the quality of this study. They succeeded to give a global vision of a complicated conflict which has deep roots in the regional history. Furthermore,they kept an ability to go into the more important details. We find a lot of anecdote along the study that helps a non native to understand the subtilities of the local caracter and visions. I didn't find such a synthesis, even in the french literature.

Grand merci aux auteurs pour leur analyse perspicasse et leur honnêteté intellectuelle. Ils ont su donner une vision globale du conflit actuel et mettre en évidence des causes qui plongent leurs racines dans l'histoire de la région, tout en gardant un soucis du détail remarquable; le récit est jalonné d'anecdotes instructives et parlantes. Il n'y a pas, à ma connaissance, d'équivalent à cet ouvrage dans la bibliographie francophone.

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Senin, 25 Mei 2015

## Download Earthly Visions: Theology and the Challenges of Art, by Timothy J. Gorringe

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Earthly Visions: Theology and the Challenges of Art, by Timothy J. Gorringe

This stimulating book argues that great art can function as a "secular parable"—that is, like the parables of Jesus, art can lead viewers to reflect on the reality and presence of God in the world. T. J. Gorringe examines representative secular paintings of the most significant types (mythological themes, genre painting, portraiture, landscape, still life, abstract art), showing how each type can point toward God, whether by envisaging an alternative future, creating aesthetic delight, or teaching us to see things differently. His provocative study challenges the notion that art since the 15th century has become increasingly secularized. 

Gorringe gives careful consideration to each work's historical background and artistic context, as well as to art historical and critical appraisals. With an ecumenical approach, he then provides an insightful argument for how each piece can be read theologically. Although readers may sometimes disagree with his theological stance or his interpretation of specific works, his engaging commentary provokes reflection and challenges deeper questioning and awareness.

  • Sales Rank: #177950 in Books
  • Published on: 2011-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.00" w x 6.00" l, 1.30 pounds
  • Binding: Hardcover
  • 264 pages

Review
“….subtle and well-argued.”—Michael Glover, The Independent (Michael Glover The Independent 2011-11-25)

“A visually beautiful and thoughtful discussion on the frontiers of theology that deserves a wider readership than just theological professionals.”—Rowan Williams, Times Literary Supplement (Books of the Year) (Rowan Williams Times Literary Supplement (Books of the Year) 2011-12-02)

“Earthly Visions is nothing less than an education in seeing, a re-visioning of the cosmos grasped and remade in Christ. And for that we should be profoundly grateful.”—Jeremy Begbie, The Tablet (Jeremy Begbie The Tablet 2012-02-11)

Shortlisted for the 2011 ACE Mercers' International Book Award (UK Award) (International Book Award Shortlist Art and Christianity Enquiry)

“Extravagantly produced . . . demonstrate[s] the expansive importance of beauty.”—Steven Guthrie, Image (Steven Guthrie Image)

“Gorringe brings readers to a basic understanding of theological aesthetics. . . . I recommend this book for those seeking to approach theological aesthetics for the first time or for average museum or gallery goers.”—Jeremy W. H. Arnold, Religious Studies Review  (Jeremy W. H. Arnold Religious Studies Review)

About the Author
T. J. Gorringe is St. Luke's Professor of Theological Studies at the University of Exeter.

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7 of 8 people found the following review helpful.
Converting the Canvas
By Matthew Milliner
NOTE: A version of this review first appeared in the February 2012 issue of First Things.

With religion's expiration, the great artworks of the past had to be rescued--if only for the ecstatic feelings they might still evoke. Bloomsbury bohemian Clive Bell put it this way: "When I speak of art as a manifestation of the religious spirit I do not mean that art expresses particular religious emotions, much less that it expresses anything theological. . . . When I speak of Christian art, I mean that this art was one product of that state of enthusiasm of which the Christian Church is another." For Roger Fry, another member of the Bloomsbury Group, Raphael's Transfiguration could excite the same emotions even in the pagan spectator. The theological was irrelevant.

But that was a century ago. This approach, known as "formalism," is no longer fashionable among art historians, whose discipline now gives utmost attention to historical context and has--most recently--been undergoing a slow "postsecular" rehabilitation alongside the rest of the humanities. This is driven less by personal religious conviction than by the need to amend the inevitable distortions that resulted from centuries of scholarship that failed to account seriously for a phenomenon as massive as religion. The secular grip on art history was once unbreakable, but with each new art-historical publication emphasizing religion, the pale and lifeless fingers are being slowly lifted away.

T. J. Gorringe's exquisite and substantial book Earthly Visions: Theology and the Challenges of Art might be called Bloomsbury in reverse. Just as Fry and Bell secularized Christian art, so Gorringe Christianizes the supposedly secular. The difference, of course, is that he need not ignore historical context. "The turn to the secular," he suggests, "may not be a sign of Christianity losing its grip, but, on the contrary, of realizing its true implications." If "the earth is the Lord's and all that is in it," then portraits, landscapes, and still lifes have long served as "secular parables" and can continue to afford that service today.

As is frequently remarked, the Protestant Reformation's prohibition of religious imagery provided a "push" toward a secular art independent of the Church. But, claims Gorringe, professor of theology at the University of Exeter, there was a "pull" as well: "There is not simply an iconoclasm, but also an iconpoiesis in the Reformation which understands that the world mirrors the divine in its banal, day-to-day reality." Gorringe remarks that this new, sixteenth-century spirituality also had Catholic expressions. When, for example, Teresa of Avila found God amid the pots and pans, she unintentionally endorsed the kitchenware still lifes of Chardin.

Unlike some books in the "theology and art" genre, Earthly Visions does not suffer from inadequate engagement with the history of art. Because there are few disciplinary rewards for mastering the range of art history, as opposed to mastering a narrow specialization, as a professional theologian Gorringe may be more widely read in art history than many other art historians--certainly not in depth, but possibly in surface area covered.

Consequently, Earthly Visions is a treasure trove of sources. The book contains welcome insights from opposite poles of the art-historical spectrum, Kenneth Clark and John Berger, two tracks upon which Gorringe's insights seem to glide. The book has the feel of one developed over an extended phase of teaching and thinking, not in the rush to acquire tenure.

Gorringe is not at a loss for examples of his secular parables. Indeed, the book could have been written several times over with the same thesis but different choices. His decisions, however, are good ones. Beuckelaer's The Four Elements evidences not worldly autonomy but a "Christian optimism" and a celebratory theology of creation, betrayed by tiny gospel scenes hidden behind luxuriant piles of produce. Together with the majority of Renaissance art historians today, Gorringe understands that to call Botticelli's Birth of Venus "secular" is anachronistic. He cites Botticelli's contemporary, the poet Buonincontri, who upended the classical pantheon in what could be called reverse Santeria, seeing Mercury as "Logos" and Venus as Mary.

Though no conservative, he is especially keen to liberate our understanding of many artists from its Marxist captivity. In the peasant scenes of Pieter Brueghel the Elder we see "not class ridicule but an essentially comic understanding of the world." The foregrounded plowman in Brueghel's The Fall of Icarus, for example, represents a "massive dignity." Louis Le Nain's peasant paintings are "transposed versions of the Holy Family." The majestic peasantry of Millet and Van Gogh are products of discerning Christian vision, a claim easily documented from the writings of the artists themselves.

Gorringe's chapter on portraiture culminates with Rembrandt, whose faces betray "an astonishing account of the doctrine of justification by faith." In a chapter on nature, Gorringe emphasizes Jacob van Ruisdael's Reformed Protestant convictions, which caused him to infuse his landscapes with theological and moral themes. "We have a paradoxical situation, in the early twenty-first century," he explains. "We are skilled at de-coding advertisements . . . yet we are embarrassed by the suggestion that landscape might be anything other than a literal record."

Gorringe's is not a triumphalist account. He is well aware that secular interpretations of art history were not without basis, and he does not hesitate to admit that Poussin may have been "more an ancient Roman than a Counter-Reformation Catholic." With Friedrich, whom Gorringe allies with the liberal German theologian Schleiermacher, landscape had become "melodramatic and solipsistic." This cult of nature was chillingly expressed by Turner's dying words: "The sun is God." And yet landscape, especially with Cézanne's return to Catholicism, continued to operate as a secular parable, despite an increasingly irreligious atmosphere. In a wonderful chapter on still-life painting, Gorringe draws on eucharistic theology and names the genre "the painting of the Magnificat: It puts down the proud and raises the humble."

Dismissal of the Middle Ages is the backbone of the secular narrative that Gorringe hopes to overcome. Consequently, it is strange to see him occasionally do the same. The Dark Ages are reasserted as dark, as if all the recent scholarly work to shed light upon late antiquity were in vain. In addition, the twelfth-century pope Innocent III's pessimistic appraisal of humanity is quoted to exemplify medieval gloom, followed by--in the very same chapter--a defense of the contorted portraits by Gorringe's contemporary Francis Bacon as "help[ing] us see the truth about human beings." Might the same courtesy be extended to Innocent? This residual disdain is especially curious considering the fact that the Byzantine icons brought back with the Crusaders are what catalyzed Renaissance art.

In a final chapter on abstraction, Gorringe considers whether abstract form can serve as a "parable of the divine nature which we cannot conceive." After surveying such artists as Mondrian, Kandinsky, and Pollock, he leans toward earthly vision: "Granted, God is ineffable, but God gives God's self to be known in the appearances, supremely in the Incarnation, but in the epiphany of the face, and of other created reality."

The art world, however fragmented, is populated by the likes of Peter Fuller, who wrote, "The best we can hope for is that aesthetic surrogate for salvation: redemption through form." Gorringe retorts: "There is no redemption through form, though if Christians are right in their claims about the Incarnation there is no redemption without it either."

The book concludes by suggesting that abstraction was "an art of inward emigration, which refuses to face up to the critical issues of the day and has nothing of any consequence to say. And is it in that sense a truly contemporary art?" It is a nice riposte, but the history of art since Rothko, of course, has not stood still. Pop art assaulted the modernist pieties that Gorringe legitimately questions, and agenda art has overcompensated for perceived irrelevance by revisiting politics with a vengeance.

Still, perhaps an excursus on contemporary art is too much to ask of an already wide-ranging and well-crafted book, which encapsulates one of art history's best possible futures. For Karl Barth--one of Gorringe's most consistent inspirations--"there is no such thing as secular history in the serious sense of the word." Secular art history, Gorringe suggests, may be mythological as well.

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^ Get Free Ebook Dog Days, Raven Nights, by John M. Marzluff, Colleen Marzluff

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Dog Days, Raven Nights, by John M. Marzluff, Colleen Marzluff

Twenty years ago, fresh out of graduate school and recently married, John and Colleen Marzluff left Arizona for a small cabin in the mountains of western Maine. Their mission: to conduct the first-ever extensive study of the winter ecology of the Common Raven under the tutelage of biologist Bernd Heinrich.

Drawing on field notes and personal diaries, they vividly and eloquently chronicle their three-year endeavor to research a mysterious and often misunderstood bird—assembling a gigantic aviary, climbing sentry trees, building bird blinds in the forest, capturing and sustaining 300 ravens as study subjects, and enduring harsh Maine winters in pursuit of their goal. They also shared the unique challenges and joys of raising, training, and racing the sled dogs that assisted them in their work.

Accompanied by Evon Zerbetz's lovely linocut illustrations, Dog Days, Raven Nights is a fascinating, behind-the-scenes look at the adventures of field science and an insightful exploration of the nature of relationships, both animal and human.

  • Sales Rank: #1017999 in Books
  • Brand: Brand: Yale University Press
  • Published on: 2013-03-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .90" w x 6.66" l, 1.42 pounds
  • Binding: Paperback
  • 352 pages
Features
  • Used Book in Good Condition

Review
“Full of the grittiness of experimental persistence—and the splendour of ravens and dogs—this is a warm tale of wonderful science.”—Patricia Churchland, Nature (Patricia Churchland Nature 2011-07-07)

"This remarkable husband-and-wife account of pathbreaking wildlife research in the snows of Maine whisks the reader along on a rare and spirited adventure into three interlocking worlds—avian, canine, and deeply human."—Ivan Doig, author of This House of Sky (Ivan Doig 2010-11-01)

“This is also a book of great fascination and even of beauty……Dog Days, Raven Nights is a work of science but it is also a book about research as adventure and as a strange, deeply enriching kind of human fulfilment.”—Mark Cocker, Times Literary Supplement (Mark Cocker Times Literary Supplement 2011-07-15)

"Fascinating and beautifully written book. . . . They give a good account of their studies, and while theydon't claim to have found definitive answers to all questions, they have 'opened the door' to future research. And they've opened another door, as hoped, welcoming a wide reading audience too."—Irene Wanner, The Seattle Times (Irene Wanner The Seattle Times 2011-06-07)

About the Author
John M. Marzluff is professor of wildlife science, College of the Environment, University of Washington. Colleen Marzluff is an expert in the raising and training of sled dogs and herding dogs. They live in Snohomish, WA. Evon Zerbetz is an artist in Ketchikan, AK.

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13 of 13 people found the following review helpful.
Dog Days and Raven Nights
By E. Teel
A remarkable book that is a "must read" for anyone interested in nature, rural life in Maine and the commararderie between birds, dogs and people. This book opens a whole new world into the communication tools ravens use with each other. Elaine in Mill Creek, WA

6 of 6 people found the following review helpful.
Solid science in an entertaining read
By Cissa
Between the entertaining writing and the great illustrations and pictures, this account of scientific research (mostly) read more like a novel than a text book.

I was also fascinated by the accounts of sled dogs and dogsledding. So nifty!

Most of the raven behaviors analyzed can be called "enlightened self-interest" more than "altruism", which is an interesting datum about a species I'm fascinated with. I don't live where there are ravens; I've had many years of crow-watching, though, and mostly the crows seem to be more altruistic. (The exception is cheese. If I put cheese out for the crows, they tend to gobble and cache it all individually before recruiting others- mostly their immediate family- to the feeder. Funny!) Perhaps crows are more social because they are individually smaller and less formidable?

Anyway- this is a great book! The genetic analysis of both ravens and sled dogs is not- according to things I've read- quite as clear as they make it out here, but that's a minor quibble.

You'll have fun reading this book if you have any interest in the subject matter, and will learn a lot!

Plus- GREAT illustration!

12 of 14 people found the following review helpful.
Interesting book.
By SKK
Books so far is very fun to read. Any adult and child would enjoy reading this. Appears to be non-fiction but makes reads like a fiction because of the adventure and fantasy style of writing. Something about the illustrations made the book more imaginative, whimsical and fun. Will follow up with more after I read the whole book.

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