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The names Elizabeth Eckford and Hazel Bryan Massery may not be well known, but the image of them from September 1957 surely is. This famous photograph captures the full anguish of desegregation, and is an epic moment in the civil rights movement. This text tells the story of two separate lives unexpectedly braided together.
- Sales Rank: #243856 in Books
- Brand: Yale University Press
- Published on: 2012-09-04
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x 1.10" w x 5.60" l, .80 pounds
- Binding: Paperback
- 320 pages
Features
Review
“Margolick’s unforgettable new book, Elizabeth and Hazel: Two Women of Little Rock, takes as its touchstone a famous civil rights-era photograph. . . . eloquently chronicl[ing] their lives since that iconic photo was taken.”—Kate Tuttle, TheAtlantic.com
(Kate Tuttle TheAtlantic.com)
"A patient and evenhanded account of their messy relationship over the decades. . . . Margolick proposes no fairy-tale resolutions to such moral impasses. To his credit, he spares us none of the unruly facts as his subjects, still wrestling with history, wander off message."—Amy Finnerty, The New York Times Book Review (Amy Finnerty The New York Times Book Review)
"The iconic image of Elizabeth and Hazel at age fifteen showed us the terrible burden that nine young Americans had to shoulder to claim our nation's promise of equal opportunity. The pain it caused was deeply personal. David Margolick now tells us the amazing story of how Elizabeth and Hazel, as adults, struggled to find each other across the racial divide and in so doing, end their pain and find a measure of peace. We all need to know about Elizabeth and Hazel."—President Bill Clinton (President Bill Clinton)
“As David Margolick’s brilliantly layered exposition reveals, plumbing ‘the depths of the depths’ of race and racism is a most complex exercise. And as I plumbed the depths of his narrative, I found it at once painful, as well as elevating, and unlike anything I’ve ever read on the subject. It should be required reading for a nation still struggling with what Margolick refers to as ‘the thicket of race.’”—Charlayne Hunter-Gault, author of In My Place (Charlayne Hunter-Gault)
“Surprising, disturbing, occasionally inspiring, often baffling, and ultimately sad. . . . Elizabeth and Hazel represents, in microcosm, the debilitating power of race that remains powerful 50 years after that photo. . . . An amazing story, told with brio.”—Boston Globe (Boston Globe)
“An amazingly intimate portrait. . . . The lesson of Elizabeth and Hazel may be that we shouldn’t define other people’s lives by one single moment. Instead, we can use their actions to define other lives—our own.”—Christian Science Monitor (Christian Science Monitor)
“In his engrossing new book Elizabeth and Hazel, David Margolick expands the frame to consider the difficult lives of its two central figures, their attempt at reconciliation, and the fact that they don't speak now. . . . Elizabeth and Hazel raises the specter that some damage doesn’t heal. It is a notion profoundly unsettling to the story we Americans tell about ourselves.”—Karen R. Long, Cleveland Plain-Dealer (Karen R. Long Cleveland Plain-Dealer)
"Intricately woven and deeply affecting....[Margolick's] choice to broaden and complicate the narrative - to include the larger minefield of race matters and honest discourse - is what makes this book salient, not sentimental. Elizabeth and Hazel's winding, rocky relationship, then, is a much more fitting and accurate metaphor for the country; this book, an attempt at a different, lasting after-image - this time in words."—Lynell George, Los Angeles Times (Lynell George Los Angeles Times)
"Judicious and bittersweet....Margolick excels at framing the intimate details of each woman's life with a half-century of social and cultural upheaval....The deeper motives and psyches of the protagonists remain as elusive as any resolution to their story—and, perhaps, just as tangled. Nonfiction, as with photographs, can only do so much—though in Elizabeth and Hazel, it does more than enough."—Gene Seymour, Newsday (Gene Seymour Newsday)
For Elizabeth and Hazel, “it would have been simple enough to turn their stories into a ‘where are they now’ piece. But Margolick is after something bigger. Through Eckford and Bryan’s tangled lives, he hopes to capture the complexity of race, forgiveness, and reconciliation in modern America.”—Kevin Boyle, Washington Post (Kevin Boyle Washington Post)
From the Author
Your previous book, Beyond Glory, was about the great boxing matches between Joe Louis and Max Schmeling. How did you get from there to Little Rock, 1957?
Actually, I began the two projects at roughly the same time. While in Little Rock to do a Clinton-related magazine story in 1999, I visited the museum across from Central High School. Like so many others, I well knew the picture of Elizabeth and Hazel from 1957. So I was flabbergasted to see a poster there showing the two of them, now grown women, standing next to one another, smiling, apparently reconciled. How had that happened? It seemed inconceivable. So I began gathering material on it. The two projects share a lot, in addition to their racial themes; each focuses on a discrete event—the first, a fight lasting about two minutes, the second, an exposure lasting probably a sixtieth of a second—to reveal an era.
Was it difficult to find Elizabeth and get her to speak with you?
No, Elizabeth was in the same house she'd lived in the day the picture was taken. I had expected her to be resistant but she wasn't at all, particularly once we got going. Elizabeth has an enormous respect for history and the historical process.
And Hazel?
Hazel was much more reluctant. Though she left school at seventeen, she's read widely in the history of American race relations, and knew of the historic alliance between blacks and Jews. For that reason, among others, she feared that Elizabeth and I would gang up on her. I made a very poor impression on her in our first meeting, and as the fragile friendship she'd struck up with Elizabeth faltered, her position toward me hardened. It was only seven years later, after an early version of this story appeared in Vanity Fair, that she relented. Then she opened up to me, and I came to realize how remarkable a person she, too, is.
Did you have any idea that their personal stories would intersect in such a fascinating way?
I knew, from the poster, that they'd come together again. But only later did I learn that five years or so after the picture was taken, Hazel had called Elizabeth to apologize. That was enormously significant to me, a key to her character. It said to me that for all the skepticism and hostility Hazel has encountered over the years, she in fact did the right thing in the right way: early on, when no cameras were rolling.
The book took you twelve years to complete. Why so long?
Well, apart from the multitasking that all journalists must do these days, the story turned out to be endlessly rich. I interviewed dozens of people, some repeatedly, including seven of the other eight of the Little Rock Nine. I shudder to think how many times I questioned Elizabeth; whenever I told her I was almost certainly done she laughed, because she knew there would be more questions. Hazel also put up with a lot of me.
Can you tell us something about your most recent trip to Little Rock?
Though my reporting was pretty much finished, I accompanied my friend Larry Schiller as he took portraits of the two women. We thought it essential to capture how two faces that are seared into the national memory had evolved with time and experience. Two of those photographs appear on the jacket of my book. Being with Elizabeth and Hazel one last time, and recording them once more for history, was very moving.
About the Author
David Margolick is a contributing editor at Vanity Fair and a frequent contributor to the New York Times Book Review.
Most helpful customer reviews
51 of 51 people found the following review helpful.
compelling story of civil rights memory
By M.C.D.
I read "Elizabeth and Hazel" last Friday in one sitting and found it to be an honest and highly compelling portrayal of both Little Rock Nine member, Elizabeth Eckford, and her iconic tormentor, Hazel Massery, in the years since the Little Rock desegregation crisis, a warts and all representation of the history.
Margolick seemed particularly insightful in his analysis of how the Little Rock public was eager to cash in on their 1997 reconciliation, but which then made Massery vulnerable as the apology scape-goat of the entire community.
You read this book hoping for a happy ending, but perhaps it is a more accurate reflection of the state of current American race relations that one is not forthcoming. It's quite amazing that Eckford and Massery they gave author David Margolick permission to write so candidly about such a presently painful subject for them. I also loved the chapter on Louis Armstrong and the "lathered-up" photo.
My only small complaint is an academic one - I wished there were more extensive footnotes and a bibliography at the end.
35 of 35 people found the following review helpful.
A must-read for absolutely anyone living in this country
By The Write Edge
In 1957 a young black girl attempted to enter all-white Little Rock Central High School. Three years earlier, the Brown v. Board of Education court decision deemed that schools across the country be integrated: blacks and whites should study together, the ruling said, and no one gained anything by keeping them apart.
But making a statement on paper and putting that statement into practice meant two drastically different things, as the young black girl found out that September morning in 1957.
Her name was Elizabeth Eckford, and she and eight other students had been hand-picked to be the first black students to enter Little Rock Central. Eventually they became known as the Little Rock Nine, but due to an inadvertent lack of communication Eckford entered school alone on September 4, 1957. Protestors arrived to make their voices heard. Journalists positioned themselves to record the event. And Eckford, unbeknownst to all, was about to become an integral part of history.
Her walk to school was captured in three photographs by three different people who all managed to record almost the exact same moment: Eckford, wearing sunglasses to shield the fear in her eyes and a pretty dress she'd made herself, walks alone. Behind her, among other people, is a white girl whose face exudes nothing but sheer hatred. In two of the pictures from that moment, the white girl's white is open mid-abuse. In the third--the most famous--her teeth are bared and clenched, as though she is barely restraining herself from attacking Eckford with more than words.
That girl was Hazel Bryan Massery, and author David Margolick spent time with both women to write his poignant book Elizabeth and Hazel: Two Women of Little Rock, released Oct. 4. Margolick recounts in close detail the events leading up to that pivotal point in the civil rights moment and traces both women's lives from just before the photograph to present day. Along with interviewing the women themselves, Margolick spent years talking to other members of the Little Rock Nine and their friends, co-workers, associates, family members, and as many other people as he could to give him the most complete picture of that one day as well as that tumultuous time in history.
Margolick's efficient story-telling style takes readers quickly through those days while satisfying the curiosity anyone might have about both women. Readers will probably expect the fractured opinions of community leaders and residents alike, but Margolick surprises those same readers with the unthinkable: for a short period of time, Eckford and Massery became good friends. They spent hours spending time with each other and speaking to groups around the country about their experiences, representing the best result of the heartbreak of racial division.
Elizabeth and Hazel: Two Women of Little Rock should be required reading in educational institutions across the country, given the struggle of so many on both sides of the issue. Integration and its consequences have never been simple issues, and Margolick's book outlines in a well-documented, well-argued tome the long-lasting effects of even the best intentions. The best intentions, readers will find, don't necessarily always yield positive, packaged results.
I wholeheartedly recommend Elizabeth and Hazel: Two Women of Little Rock. Anyone with an opinion--any opinion--on race relations will certainly learn something from this book.
Reviewed for Bookpleasures
27 of 27 people found the following review helpful.
History Glorified
By Donald T. Massey
Margolick has been clarifying history and legal issues in full-length works and longer magazine pieces for many years. His prose is clean and clear, his research exhaustive, and his personal engagemnt with the subject matter and characters has never shined through more clearly. When I got up from my chair, I'd been to the movies and to class at the same time. What a deal!
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